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無(wú)法磨滅
雷·利奧塔,Linda Fiorentino,彼德·考約特本能反應(yīng)
安東尼·霍普金斯,小庫(kù)珀·古丁,唐納德·薩瑟蘭蟲(chóng)2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田絹緒,細(xì)川佳央,橋野純平,中山求一郎反叛行動(dòng)
麗茲·格林尼,梅根·布恩,思凱·卡茨,菲利普·文切斯特,阿麗克斯·維拉雷特,Ollie Roddy,Kaine Buffonge,Will Pierson,約納斯·阿姆斯特朗,Errol Trotman-Harewood,Orlin Pavlov,Hristo Mitzkov,馬克斯·克勞斯,Charlotte Weston,Alexsandria Ralev,瑪麗安娜·斯塔尼切娃,內(nèi)森·庫(kù)珀,伊麗莎白·吉布森,丹·凱德,Anaya Yalamov,William Smalley,Todor Todoro異塵余生:尸鬼圣誕節(jié)
危情蜻蜓
安德麗婭·賴斯伯勒,布蘭達(dá)·布萊斯,杰森·沃特金斯同類推薦
英雄三元里
嚴(yán)屹寬,劉秋實(shí),孫昊,聞?dòng)?王光輝,孫蛟龍,陶奕希,方洋飛,文東俊,李圣雄,王禹森,呂文軍,陸豐,愛(ài)多,馬鐵摩1840年鴉片戰(zhàn)爭(zhēng)爆發(fā),英軍侵略軍攻破廣州,飽經(jīng)鴉片毒害的百姓活在至暗時(shí)刻。蕭崗士紳何玉成(嚴(yán)屹寬飾)受關(guān)天培之托囑,立志尋找時(shí)機(jī)保衛(wèi)廣州城。 故事從三元里村武館教頭劉三義(劉秋實(shí)飾)和其兄弟韋紹光(孫昊飾)企圖燒毀十三行碼頭的洋商躉船開(kāi)始... 影片質(zhì)樸還原了三元里抗英這段鮮為人知的史實(shí),用悲壯美學(xué)與歷史質(zhì)感交織的視聽(tīng)講述了鴉片館血案的個(gè)人復(fù)仇,到牛欄崗生死戰(zhàn)的民族抗?fàn)?。致敬民族先輩,?dāng)外侮侵犯時(shí),每一個(gè)挺身而出的小人物,都是照亮民族暗夜的英雄。
靚女差館
劉嘉玲,陳奕迅,林曉峰,王晶,張達(dá)明,李珊珊,何嘉莉,苑瓊丹,馬德鐘,李菲港島東區(qū)警署刑事偵緝組由Madam雷(劉嘉玲飾)率領(lǐng),全組皆是女警,所以有“靚女差館”之稱。另一警局的警員生?。愞妊革棧┖蜕车謺苑屣棧┰谝淮涡袆?dòng)中,得由Madam雷率領(lǐng)的眾靚女CID幫忙而保存性命,對(duì)眾美女一見(jiàn)難忘,兩遂主動(dòng)申請(qǐng)調(diào)職,走后門(mén)調(diào)到靚女差館,以接近眾女警并展開(kāi)追求?! ∩?、沙二人身處美女群中,本應(yīng)十分過(guò)癮,可惜就在他倆加入之時(shí),爆破專家火牛以炸彈恐嚇靚女差館,生、沙二人險(xiǎn)喪命,警署上下全體陷入炸彈奪命危機(jī),眾靚女CID全力追緝炸彈狂徒……最后靚女CID得到前軍火專家博士(王晶飾)的幫助,得以化險(xiǎn)為夷,生、沙也在危難中始知自己最愛(ài)是誰(shuí),決頂改變追女習(xí)慣,并成功解救富豪被擄案件......
食人豬
嚴(yán)泰雄,鄭有美,張恒善,尹宰文位于韓國(guó)某山區(qū)的智翼村,是一座號(hào)稱零犯罪村的旅游勝地。每到假期或周末,全國(guó)各地的游客云集于此,享受難得的快樂(lè)生活。為了吸引更多的游客,智翼村相繼開(kāi)發(fā)了高爾夫球場(chǎng)合周末農(nóng)場(chǎng),為此砍伐了大量的原始叢林。野生動(dòng)物的生存環(huán)境遭到破壞,加上偷獵者的侵?jǐn)_,野豬數(shù)量急劇減少。為了生存,野豬開(kāi)始挖掘人類的墳?zāi)?,啃噬尸體,由此對(duì)人肉產(chǎn)生了濃厚的興趣?! ∧程?,村中一名獵人孫女的尸體被人發(fā)現(xiàn),她的尸體破碎不堪,只留下頭顱。經(jīng)法醫(yī)鑒定和老獵人的觀察,這起慘案系一頭是人野豬所為。在此之后,武裝精良的獵人們來(lái)到智翼村,人獸的戰(zhàn)爭(zhēng)漸次白熱化……
柏林危機(jī)
湯姆·弗拉席亞,瑪莎 萊奧妮 巴赫,肯·杜肯,理查德·艾沃特,艾米莉·普拉斯-琳克,基達(dá)·拉馬丹,蒂姆·維爾德德國(guó)男星肯·杜肯自導(dǎo)自演的驚悚片處女作,精神創(chuàng)傷的精英戰(zhàn)士在前往柏林探望女兒的途中搭載了一名面善的攔車者,卻沒(méi)料到后者正醞釀著一起柏林恐怖襲擊。伴隨多次視角轉(zhuǎn)換和對(duì)善惡?jiǎn)栴}的拷問(wèn),在逐步揭開(kāi)極端的意識(shí)形態(tài)深淵的同時(shí),兩名主角最終將故事引向意外結(jié)局。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster