奧古斯丁
1885年的巴黎冬日，十九歲的少女被莫名的歇斯底里癥纏身。腦神經(jīng)科醫(yī)師夏柯特教授為了籌募醫(yī)院基金，在發(fā)表會(huì)上以催眠術(shù)啟動(dòng)她體內(nèi)的疾病，未經(jīng)人事的處子在眾目睽睽下竟出現(xiàn)了模擬不來(lái)的性高潮癥狀，一舉驚動(dòng)醫(yī)學(xué)界，也讓少女成為教授的「明星」案例。然而少女內(nèi)在的龐大渴慕也在無(wú)意識(shí)間被喚醒，性別及階級(jí)的層層角力之下，兩人一步步逾越醫(yī)病之間的道德界線。
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
復(fù)仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita杰弗里和莎拉是一對(duì)通奸的夫婦，他們謀殺的合法妻子索菲亞的尸體從太平間神秘消失后，他們拼命地尋找不在場(chǎng)證明。警探阿里亞·普拉達(dá)納竭盡全力，試圖揭開(kāi)真相。尸體復(fù)活是為了向兇手復(fù)仇嗎？
13個(gè)日夜
羅什迪·澤姆,琳娜·庫(kù)德里,西瑟·巴比特·科努德森,克里斯托弗·蒙特內(nèi)茲,伊安·蒂阿爾,法蒂瑪·埃多姆,肖艾布·賽義德,賽義德·哈希米,本杰明·?？烁?duì)?西納·帕瓦內(nèi)赫,路易吉·克勒納,尼可拉斯·布里代,雅典娜·史催特,埃納爾·哈拉爾松,埃文特·斯特朗,汗·布爾汗,奧馬爾·達(dá)納亞,讓·克洛德·穆阿卡在塔利班接管喀布爾期間，阿富汗軍隊(duì)守衛(wèi)著法國(guó)大使館。他們肩負(fù)著在混亂中疏散500人至機(jī)場(chǎng)的任務(wù)，在試圖絕望逃離這座正在淪陷的城市時(shí)，面臨著巨大的風(fēng)險(xiǎn)。
圣母瑪利亞
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒傳奇流行巨星Mother Mary（安妮·海瑟薇 飾）為了以完美形象回歸舞臺(tái)，找上疏遠(yuǎn)多年的好友兼前造型師薩姆（米凱拉·科爾 飾），卻也掀開(kāi)埋藏已久的傷疤。
希望的另一面
韋勒·維坦恩,卡蒂·奧廷寧,湯米·柯貝拉,什萬(wàn)·哈吉,詹恩·海蒂恩,瑪麗亞·賈維納廉明,薩卡里·庫(kù)斯曼嫩,約恩·唐納,妮若茲·哈吉,伊爾卡·克伊瓦拉,米爾卡·阿羅斯,蒂莫·托里克卡,蘇勒維·佩爾托拉,坦利·梅克拉,努普·科伊武一個(gè)叫做哈立德的年輕敘利亞難民幾乎失去了所有的家人。近乎偶然之下，他藏在一艘運(yùn)煤船里流落到赫爾辛基成了一個(gè)偷渡客，并在當(dāng)?shù)貙で笳伪幼o(hù)。維克斯特倫是一個(gè)旅行推銷員，他在牌桌上贏了一大筆錢之后在赫爾辛基的一條后街買了一家不賺錢的餐館。在當(dāng)?shù)卣鞒鲆獙⒐⒌虑卜祷匕⒗疹H的判決后，他決定非法留在這個(gè)國(guó)家。最終，維克斯特倫發(fā)現(xiàn)哈立德睡在他餐館的內(nèi)院里，并聘請(qǐng)他到自己餐館里做清潔工和洗碗工。生活會(huì)短暫地向我們展示它光明的一面，然而命運(yùn)很快就會(huì)插手其中。
我是山姆
西恩·潘,達(dá)科塔·范寧,米歇爾·菲佛,黛安·韋斯特,洛雷塔·迪瓦恩,理查德·希夫,勞拉·鄧恩在星巴克工作的山姆（西恩?潘 Sean Penn 飾），雖已成人，但智力水平只有7歲。一次偶然，他收留了一個(gè)流浪女。該女子幫山姆生下了一個(gè)女兒后消失得無(wú)影無(wú)蹤。他給女兒取名叫露西（達(dá)科塔?范寧 Dakota Fanning 飾），因?yàn)樗钕矚g甲殼蟲樂(lè)隊(duì)的《天空中戴鉆石 的露西》。他非常疼愛(ài)自己的孩子。露西在山姆的細(xì)心呵護(hù)下慢慢地長(zhǎng)大了，她發(fā)現(xiàn)爸爸不能看懂稍微復(fù)雜一些的故事。她在拒絕長(zhǎng)大，希望和爸爸一樣。父女倆的生活是那么幸福。地區(qū)的教育官員發(fā)現(xiàn)了這個(gè)特殊的家庭，他們認(rèn)為山姆沒(méi)有能力照顧露西，于是把露西帶走了。傷心極了的山姆一心要掙回露西的撫養(yǎng)權(quán)，于是他自以為是的去找該地區(qū)最好的律師……