野店
電影由三個(gè)短片組艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。染布坊的主人雖然表面看來(lái)溫文爾雅,實(shí)際上卻是一個(gè)殘暴的性虐狂。每一天夜里,她的妻子都會(huì)受到丈夫的折磨,痛苦和絕望之中,妻子選擇將一切的悲憤傾訴給一個(gè)布娃娃聽(tīng),哪知道隨著時(shí)間的推移,布娃娃成了精,它替女子打抱不平,決定向染布坊的主人尋仇。一個(gè)獵人子機(jī)緣巧合之下救下了一只小狐貍,哪知道這是一只小狐仙。之后,獵人遭遇了女鬼的糾纏,不斷的被吸食精氣,小狐仙得知獵人性命危在旦夕,決定挺身相救。女主人和店里雇傭的店小二私通已久,隨著時(shí)間的推移,兩人漸漸的不滿足于現(xiàn)在的關(guān)系,他們開(kāi)始謀劃殺死店主。
即刻觀影
劇情賞析
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妙藥春情
加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢(mèng)露富頓教授(加里·格蘭特 Cary Grant 飾)是一位科學(xué)家,正在研究一種能夠讓人返老還童的神奇藥物。某一天,富頓用來(lái)試驗(yàn)藥物的黑猩猩從籠子里逃了出來(lái),在實(shí)驗(yàn)室里“大鬧天宮”,沒(méi)想到竟然在誤打誤撞之下將富頓一直想要研制但始終沒(méi)有成功的神藥給搗鼓了出來(lái)?! ?duì)此一無(wú)所知的富頓在偶然間喝下了這種藥物,很快,藥效便發(fā)揮了作用,富頓一反常態(tài),言行舉止儼然一幅二十歲小伙子的模樣。秘書(shū)路易斯(瑪麗蓮·夢(mèng)露 Marilyn Monroe 飾)前來(lái)拜訪富頓教授,沒(méi)想到卻被他邀請(qǐng)去游泳、溜冰。之后,富頓的妻子愛(ài)德華(金格爾·羅杰斯 Ginger Rogers 飾)亦誤食了藥物,一連串讓人忍俊不禁的趣事就此展開(kāi)。
狂犬病1977
瑪麗琳·錢(qián)伯斯,弗蘭克·穆?tīng)?喬·西爾弗,霍華德·雷什潘,帕特麗夏·蓋奇,蘇珊·羅曼,Roger Periard,Lynne Deragon,Terry Schonblum,Victor Désy,Julie Anna,Gary McKeehan,Terence G. Ross,米格爾·費(fèi)爾南德斯,Robert O'Ree,艾倫·莫伊爾,Malcolm Nelthorpe,瓦拉斯塔·瓦拉納,彼得·麥克內(nèi)爾,Una Kay,Robert A. Silverman,Isabelle加拿大導(dǎo)演戴維.克羅南伯格執(zhí)導(dǎo)的本片,主要描寫(xiě)駭人聽(tīng)聞的瘋狗病,受傳染的人會(huì)口吐綠液,雙眼發(fā)光,并且見(jiàn)人亂咬,幾個(gè)小時(shí)后即不治而亡。美國(guó)著名的“性”星瑪里琳.查姆伯絲扮演的羅絲小姐幼時(shí)曾患過(guò)瘋狗病,因車(chē)禍?zhǔn)軅鸩《緩?fù)發(fā),腋下竟然不可思議地長(zhǎng)出一個(gè)嘴巴,而且內(nèi)有一個(gè)可伸縮自如的肉刺,專(zhuān)用來(lái)插到別人身上吸血。于是,她在一個(gè)接一個(gè)吸別人血的同時(shí),也把瘋狗病迅速傳播,使城市瞬間成為瘋?cè)藵M布的人間地獄…… 影片評(píng)價(jià) 僅僅就身體變異而言,克隆伯格的獨(dú)特之處在于處處不忘對(duì)色情幻想進(jìn)行扭曲,無(wú)論是《狂犬病》(Rabid)中女主角必須由腋下長(zhǎng)出一只陰莖來(lái)對(duì)其陰道作出支撐,還是《錄像帶謀殺案》(Videodrome)中男主角長(zhǎng)出陰道般的裂口,都是這種扭曲的必然,連錄像帶的轉(zhuǎn)子,都像雙乳一樣扭動(dòng)?!朵浵駧е\殺案》其實(shí)還有一個(gè)原來(lái)設(shè)想的結(jié)局,就是一男(男主角麥克斯)兩女(尼基和卞卡)合體,同時(shí)以各自的變異性器官相互絞纏吞噬。在《赤裸的午餐》(Naked lunch)中,那個(gè)最終撕開(kāi)男性外皮露出女體乳房的總裁如果還不夠刺激,等你意識(shí)到她的裝束是女同施虐的標(biāo)準(zhǔn)配備,就會(huì)有格外的顫栗。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
利益區(qū)域
克里斯蒂安·富里道爾,桑德拉·惠勒,約翰·卡特豪斯,拉爾夫·赫爾福特,弗雷婭·克羅伊茨卡姆,馬克斯·貝克,伊摩根·蔻格,斯蒂芬妮·佩特羅維茨,拉爾夫·齊爾曼,瑪麗·羅莎·提特言電影講述了奧斯維辛集中營(yíng)的指揮官魯?shù)婪颉せ羲购退钠拮雍5罗备裨诩袪I(yíng)旁的一所房子里和花園中為他們的家庭打造夢(mèng)想生活的故事。
相會(huì)在昨天
伊登·鄧肯-史密斯,亞斯特羅,瑪莎·斯蒂芬妮·布萊克,邁拉·盧克利希亞·泰勒,達(dá)馬里斯·劉易斯,弗蘭克·哈茨,布瑞特·G·史密斯,伊恩·安特曼,小巴靈頓·沃特斯,Dante Crichlow,Wavyy Jonez,Taliyah Whitaker,Johnathan Nieves,Manny Ure?a,Khail Bryant,Allen Holloway,Ejyp Johnson一對(duì)黑人兄妹相依為命,哥哥卻被白人警察誤殺,你猜猜她會(huì)怎么辦?對(duì)抗強(qiáng)權(quán)為黑人群體發(fā)聲?并不,妹妹居然造了一架時(shí)光機(jī)器,回到過(guò)去好讓自己的哥哥免于槍殺!
童煞驚魂島
丹尼爾·希梅內(nèi)斯·卡喬,艾邦·摩斯-巴克拉赫,凡妮莎·肖在一個(gè)舒適的季節(jié),弗朗西斯科(艾邦·摩斯·貝克許 Ebon Moss-Bachrach 飾)和懷有身孕的妻子貝絲(凡妮莎·肖 Vinessa Shaw 飾)來(lái)到墨西哥某個(gè)海濱小鎮(zhèn)度假。適值狂歡節(jié)期間,小鎮(zhèn)四周歌舞升平,紙醉金迷,多少青年男女流連忘返。弗朗西斯科渴望尋覓一個(gè)安寧的所在,他找到當(dāng)?shù)氐臐O夫,從對(duì)方手中租下一艘船,打算在附近某個(gè)僻靜的小島安然度過(guò)五六天。次日,他和妻子抵達(dá)目的地。那里寂靜無(wú)聲,幾乎看不到一個(gè)人影。島上的孩子們偶爾逡巡四周,但無(wú)一例外臉上都掛著猙獰冷漠的表情。 未過(guò)多久,令他們毛骨悚然的事情接連發(fā)生。島上的孩子手執(zhí)兇器獵殺成人,期間更發(fā)出令人不寒而栗的笑聲。孩童的殺戮仍在繼續(xù),弗朗西斯科夫婦能否逃離……