暑假

評分:0.4 播放:10萬 更新:2026-05-12

VMX性感演員Rica Gonzales、Jenn Rosa和Christine Bermas在一次火熱的越南之旅中點(diǎn)亮了屏幕,當(dāng)一位朋友被發(fā)現(xiàn)死亡時(shí),屏幕變黑了。

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Yuriko Heng,K-Lao,賴宇涵,李國煌,Morn Liew,Joshua Se,Songbill,鄧金煌,Mayjune,黃楚琳,王竣

阿彪繼承了母親的Kopitiam咖啡館,并與妻子百合子共同經(jīng)營。這家店曾經(jīng)生意興隆,但阿彪的管理方式和非傳統(tǒng)的營銷策略卻引發(fā)了意外危機(jī),使Kopitiam陷入前所未有的困境。在與一位知名網(wǎng)紅發(fā)生沖突后,Kopitiam卷入了媒體風(fēng)波,導(dǎo)致生意急劇下滑。就在阿彪和百合子拼命努力扭轉(zhuǎn)局勢時(shí),他們又面臨著被收回店鋪的威脅。他們能否成功度過這場危機(jī),保護(hù)自己的家族企業(yè)?在逆境中,他們的婚姻和Kopitiam咖啡館又將何去何從?

浴血困牛山

牛犇,寇振海,王俊東,盧海華,肖聰,陸怡璇,劉芳毓,趙中華,李丞峰,陳楷,任志宏,侯佳偉,袁宇龍,楊涌,泰煜恩,黃振宸,牛青峰,張未柯,佟小虎,馬湘宜

 首次揭秘長征紀(jì)實(shí)事件,1934年中央蘇區(qū)第五次反圍剿失敗,紅六軍團(tuán)奉命西征,進(jìn)入貴州石阡,一場戰(zhàn)役后,800多名紅軍消失在石阡困牛山,解放后中央多次尋找未果。70年后少數(shù)民族一個(gè)奇怪風(fēng)俗揭開了謎底,紅18師52團(tuán)為了掩護(hù)軍團(tuán)主力突圍,為了不暴露主力行動(dòng)方向,他們將敵人引至困牛山,面對數(shù)倍的敵人浴血奮戰(zhàn),戰(zhàn)斗至最后,狠毒的敵人拿老百姓當(dāng)人肉盾牌,危機(jī)時(shí)刻, 100 多名紅軍戰(zhàn)士為了不誤傷百姓,寧死不當(dāng)俘虜,全部跳崖壯烈犧牲。被稱為是中國軍史和世界軍史上的奇跡和壯舉!

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

神探巴克希

蘇尚特·辛格·拉吉普特,菊池隆則,阿南德·蒂瓦里,Swastika Mukherjee

  本片講述大學(xué)剛畢業(yè)的神探巴克希,對抗一個(gè)想要破壞地球的邪惡天才的故事。主賓國影片《神探巴克希》由印度著名商業(yè)電影導(dǎo)演迪巴卡爾·班納吉指導(dǎo),融合懸疑、偵探、40年代等元素,塑造了一個(gè)印度“夏洛克·福爾摩斯”形象,有著強(qiáng)烈的人格魅力。影片有很強(qiáng)的故事性,動(dòng)作場面極具想象力,從演員服裝、外景設(shè)計(jì)、汽車道具都做到了一絲不茍。有張力的懸疑劇情能讓觀眾們在2小時(shí)的觀影時(shí)間內(nèi)目不轉(zhuǎn)睛。