劇情簡介
兩位美麗的女性游客在歐洲的時候發(fā)現(xiàn)自己的錢用完了。他們開始在一個神奇的城堡里工作，在那里男人們來實現(xiàn)他們的幻想
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最后決戰(zhàn)
皮埃爾·若利韋,讓·布伊茲,讓·雷諾此片是盧貝松再影壇還沒沒無聞時，憑著一腔熱血，旺盛活力與爆發(fā)力， 突破一切傳統(tǒng)，掙脫一切商業(yè)機制下的樊籠，冒著無色彩，無對話，無明星等大諱所完成的電影。當(dāng)影片完成時，因宣傳無門，于是盧貝松帶著這部影片參加瑞士阿沃基影展，一舉拿下評審特別大獎及影評人獎，因而打開他的國際知名度。解剖核子戰(zhàn)后的文明廢墟，因為無色彩，所以這是一部黑白色調(diào)的電影。
窺鏡
尼古拉斯·凱奇,羅賓·湯尼,馬克·布魯卡斯,厄尼·里夫利,雅克·格雷尼古拉斯·凱奇出演獨立制作驚悚片《窺鏡》(Looking Glass，暫譯)。導(dǎo)演為曾拍攝多部MV及廣告的多里·奧斯科維茲，編劇杰里·萊普、馬修·懷爾德。一對夫婦在經(jīng)歷生活傷痛后買下了荒郊僻壤一處汽車旅館，他們此舉是為了探秘旅館一個房間內(nèi)發(fā)生的一系列無法解釋的怪事。影片今秋開機。
沖繩小芙蓉
蔵下穂波,余貴美子,照屋政雄,平良富,NESMITH,亀島奈津樹,和田聡宏,登川誠仁座落沖繩的「Hotel Hibiscus」，雖然名為酒店，卻是只有一間客房的古舊民宿。里面住著小三女生美惠子和她的家人。美惠子活潑好動，每天和朋友一起去探險。某日，美惠子放學(xué)回家時，遇到了倒在地上的青年，并把他帶回Hotel Hibiscus… 導(dǎo)演中江裕司繼《Nabbie's Love》四年后的新作，《Hotel Hibiscus》繼續(xù)以沖繩為舞臺。電影改編自Nakasone Miiko的同名漫畫，描寫小三女生美惠子的冒險和成長。飾演美惠子的蔵下穗波是在3千名沖繩小學(xué)生中挑選出來，合演者包括平良Tomi、沖繩民謠歌手照屋政雄、余貴美子等。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
靚女差館
劉嘉玲,陳奕迅,林曉峰,王晶,張達明,李珊珊,何嘉莉,苑瓊丹,馬德鐘,李菲港島東區(qū)警署刑事偵緝組由Madam雷（劉嘉玲飾）率領(lǐng)，全組皆是女警，所以有“靚女差館”之稱。另一警局的警員生?。愞妊革棧┖蜕车謺苑屣棧┰谝淮涡袆又?，得由Madam雷率領(lǐng)的眾靚女CID幫忙而保存性命，對眾美女一見難忘，兩遂主動申請調(diào)職，走后門調(diào)到靚女差館，以接近眾女警并展開追求。 生、沙二人身處美女群中，本應(yīng)十分過癮，可惜就在他倆加入之時，爆破專家火牛以炸彈恐嚇靚女差館，生、沙二人險喪命，警署上下全體陷入炸彈奪命危機，眾靚女CID全力追緝炸彈狂徒……最后靚女CID得到前軍火專家博士（王晶飾）的幫助，得以化險為夷，生、沙也在危難中始知自己最愛是誰，決頂改變追女習(xí)慣，并成功解救富豪被擄案件......
神探巴克希
蘇尚特·辛格·拉吉普特,菊池隆則,阿南德·蒂瓦里,Swastika Mukherjee本片講述大學(xué)剛畢業(yè)的神探巴克希，對抗一個想要破壞地球的邪惡天才的故事。主賓國影片《神探巴克?！酚捎《戎虡I(yè)電影導(dǎo)演迪巴卡爾·班納吉指導(dǎo)，融合懸疑、偵探、40年代等元素，塑造了一個印度“夏洛克·福爾摩斯”形象，有著強烈的人格魅力。影片有很強的故事性，動作場面極具想象力，從演員服裝、外景設(shè)計、汽車道具都做到了一絲不茍。有張力的懸疑劇情能讓觀眾們在2小時的觀影時間內(nèi)目不轉(zhuǎn)睛。
新年伊始 不合適也要有個限度！～不能認真聊聊嗎？～
阿部貞夫,仲里依紗,磯村勇斗,吉田羊,河合優(yōu)實,錦戶亮,江口德子,袴田吉彥,小野武彥,坂元愛登,三宅弘城,八島智人,中島步,山本耕史,古田新太2026年新年，渚（仲里依紗 飾）在咖啡店“SCANDAL”迎來意外訪客——從昭和穿越而來的市郎（阿部隆史 飾）。借助井上（小野武彥 飾）研發(fā)的“時間隧道”，他們得以往返各個時代。市郎試圖改變女兒純子（河合優(yōu)實 飾）與命運的相遇，又回到1995年地震前夕阻止悲劇，卻引發(fā)新的漣漪。與此同時，渚卷入政治風(fēng)波，支持的女性議員平純子（江口德子 飾）在2036年竟將成為日本首位女首相。為了守護家人與未來，市郎踏上最后的時空冒險。