巫術(shù)面具

1.4 播放:11萬 更新:2026-05-15
主演: 未知/

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★妓女求財,惹鬼上艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan!

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鐵拳硬漢

徐少強,郜喬,邱彬

山東豪杰許良東,在上海灘從碼頭苦力逆襲為商界巨擘,橫掃仇敵關(guān)無極。正當他聯(lián)手大世界喬爺掌控商界時,英國勢力攜鴉片卷土重來。昔日兄弟馬遠竟被毒品控制,倒戈相向!喬爺慘死,許良東遭全城通緝…面對家國大義與兄弟情仇,他如何守住國門,書寫漕運傳奇?

恐怖回音

史蒂文·布蘭德,凱特·法蘭奇 ,比利·沃斯

  安娜·帕克(凱特·法蘭奇 Kate French 飾)是一個美麗的女作家,當下她正為新書做最后的沖刺,可是擔任出版編輯的男友保羅·瓦格納(史蒂文·布蘭德 Steve Brand 飾)卻提出了較為尖刻的修改意見。心情頗有些低落的安娜找不到靈感,創(chuàng)作陷入僵局。為了幫她完成工作,保羅將安娜帶到一處位于沙漠中央的別墅進行創(chuàng)作,不過他突然有事離開,只留下安娜和一條狗。到了夜晚,安娜驚訝地發(fā)現(xiàn)有一個恐怖的人逡巡在別墅附近。她嘗試著向保羅求助,然而無法得到有效回應(yīng)?! ?012-3-2,一組奇怪的數(shù)字,讓安娜陷入前所未有的恐懼之中。而在無盡的恐慌中,她終于發(fā)現(xiàn)了可怕的秘密……

逃出食人農(nóng)場

Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack Miller

  In the British countryside, the Harver family head out on an idyllic summer camping trip where they can bury past tensions and enjoy some family bonding. But when their camp is sabotaged by an unseen intruder in the night, they head to the nearby creepy old farm desperate for help, where vengeful farmer Hunt Hansen and his hideously deformed son aren't farming animals... Caged and waiting for their limbs to be severed, cooked and eaten one at a time, the Harver family must overcome their differences and unite in order to escape alive!

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

安吉的治療

拉內(nèi)特·塔切爾,肖恩·尼爾森,精華阿特金斯

  十年前,一位在派對上被強奸的年輕女子,飽受創(chuàng)傷,抓住難得的機會,向施暴者反擊。然而,復(fù)仇的甜蜜滋味,卻讓她變成了多年來一直恐懼的那個怪物。這段驚險刺激的旅程將讓你緊張不安,模糊是非對錯的界限。隨著權(quán)力格局的不斷變化,安吉的治愈之路也引出了一個問題:“為了擺脫創(chuàng)傷,你愿意付出多少?”

格斗家·父愛無聲

周惠林,白予晴,周小偉,張聿

  小說作家阿真和她的拳王父親,從小就有很深的隔閡,在父親離世后,阿真用自己的方式與父親和解,并且在小說世界中完成了文與武的轉(zhuǎn)換,經(jīng)歷了善與惡的抉擇,成功蛻變,為父正名,成為了真正的格斗家!