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Julia Franz Richter,喬治·布萊頓,馬克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
無形的本質
Laura Brand?o,Serena,Larissa Mauro,Camila Márdila,Aline Marta Maia暑假將至，十歲的格洛麗亞陪同身為護士的母親安東尼婭去醫(yī)院上班。格洛麗亞對醫(yī)院早已熟悉，經常獨自探索。有一天，她遇到了同樣十歲的索菲亞。索菲亞來醫(yī)院是因為她的祖母：比薩·弗朗西斯卡，一位患有阿爾茨海默癥的精神治療師，因家中發(fā)生意外而住院。索菲亞和母親西蒙娜對比薩的下一步安排意見不一。西蒙娜堅持認為她應該暫時留在醫(yī)院；索菲亞則渴望將祖母送回鄉(xiāng)下的家中。格洛麗亞和索菲亞夢想著離開醫(yī)院，而她們的母親——都是單親媽媽，則與她們建立了信任和相互支持的紐帶。死亡與重生的循環(huán)對格洛麗亞、索菲亞、安東尼婭和西蒙娜來說意義深遠。當比薩即將離世時，安東尼婭負責她的臨終關懷。在鄉(xiāng)下，他們發(fā)現(xiàn)一個社區(qū)正在等待比薩，準備為流浪的靈魂祈禱，以便他們能夠繼續(xù)前行。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
塔米·菲的眼睛
杰西卡·查斯坦,安德魯·加菲爾德,切莉·瓊斯,文森特·多諾費奧,馬克·懷斯特拉克,山姆·賈格,路易斯·坎瑟米,加布里埃爾·奧爾德斯,弗瑞德里克·林恩,錢德勒·海德,杰伊·胡古雷,格蘭特·歐文斯,柯莉·坎帕尼,杰絲·威克斯勒,林賽·艾利夫,蘭德爾·P·海文斯,Joe Ando-Hirsh,德魯·布羅德里克,布倫特·莫雷爾·加斯金斯,Tanya Jacobson,小唐納德·諾里斯,Dan Johnson,Michael MacCauley該作品改編自2000年同名紀錄片，講述塔米·菲（杰西卡·查斯坦 飾）和吉姆·貝克（安德魯·加菲爾德 飾）這對夫婦作為電視福音布道家的大起大落。在上世紀70-80年代，塔米·菲和吉姆·貝克從貧寒中奮起，創(chuàng)建了當時世界上最龐大的宗教廣播電視網和一個主題公園，他們傳遞的愛、接納和繁榮的主題受到人們的尊敬。塔米 · 菲以她夸張的睫毛，獨特的歌聲、以及她熱情擁抱各行各業(yè)的人們而成為傳奇。不過好景不長，經濟上的不當行為、詭計多端的競爭對手以及性丑聞的爆發(fā)使得這對夫婦的婚姻破裂，導致他們精心構建起來的帝國開始崩塌。
午夜的柳枝
梅根·?？怂?機關槍凱利,埃米爾·赫斯基,布魯斯·威利斯,盧卡斯·哈斯,凱特琳·卡邁克爾,奧利弗·伊莉絲·阿伯克隆比,麗迪雅·赫爾,杰基·克魯茲,泰勒·喬恩·奧爾森,斯溫·特梅爾,希斯蒂妮·史泰龍,邁克爾·比奇,多諾萬·W·卡特,奧馬爾·克魯茲·索托,大衛(wèi)·希爾,讓·皮埃爾·普拉茨,小戴維·M·桑多瓦爾,Jason Trawick,Welker White,Alec Monopoly,Sergio Rizzuto,Nick Koskoff,Katalina Viteri一名聯(lián)邦調查局特工和佛羅里達州官員聯(lián)手調查一系列未偵破的謀殺案。
西伯利亞的理發(fā)師
朱莉婭·奧蒙德,歐列格·緬?？品?阿列克謝·彼得連科,理查德·哈里斯,弗拉基米爾·伊林在一輛開往莫斯科的火車上，軍事學院的學生安德烈.托爾斯泰（歐列格·緬?？品?Oleg Menshikov飾）偶遇了風情萬種的美國女人珍（朱莉婭·奧蒙德 Julia Ormond 飾），兩人暗生情愫。珍謊稱自己是個寡婦，來俄羅斯看 望瘋狂的機械師父親（理查德·哈里斯 Richard Harris 飾），但實際上是被請來騙取軍事學院院長拉德洛夫將軍（阿列克謝·彼得連科 Aleksey Petrenko 飾）信任的交際花，好讓機械師的“西伯利亞理發(fā)師”伐木機能夠順利駛進西柏林亞。但是沒想到將軍對珍動了真感情，并想向她求婚，而安德烈對珍的感情愈演愈烈，珍一方面想接受安德烈的感情，另一方面又想完成任務，于是事件發(fā)展到了不可收拾的地步。在一次演出中安德烈因為嫉妒和誤會，抽傷了院長，被流放到了西伯利亞。在火車站上盡管珍趕上了最后的送別，但是安德烈始終沒能和珍見最后一面。十年后，珍終于在西伯利亞找到了安德烈的住所，但終究逃不過命運的改變……若干年后珍回到了美國，把這段往事在信中講述給了軍事學院的兒子。
雙生2022
泰莉莎·帕爾墨,史蒂芬·克里,芭芭拉·馬滕,Tristan Ruggeri,Ergo Küppas瑞秋（泰莉莎·帕爾墨 Teresa Palmer 飾）和安東尼（史蒂芬·克里 Steven Cree 飾）本來擁有一個幸福的家庭，兩人共同撫養(yǎng)著上天恩賜給他們的一對可愛的雙胞胎，一家人生活在平和與其樂融融的氣氛之中。哪知道，一場突如其來的災難在迅雷不及掩耳之際襲擊了這個家庭，雙胞胎中的哥哥不幸喪生，剩下的人則要體味無窮無盡的痛苦?！ 榱藬[脫陰暗的過去，盡快走進新的生活，瑞秋和安東尼決定舉家遷往寧江的鄉(xiāng)村小鎮(zhèn)，在那里修復這個支離破碎的家庭，誰知道沒過多久，種種異象便發(fā)生在了幸存的弟弟艾略特（Tristan Ruggeri 飾）身上，艾略特告訴父母，死去的哥哥并沒有離開，而是一直糾纏和困擾著他。