搞定朋友兒子的阿姨

? 5.8 播放:44萬(wàn) 2026-05-08
主演:陳詩(shī)雅 ??? 

應(yīng)母親的要求,成浩在母親的朋友智賢家擔(dān)任保鏢和寄宿生。智賢看到成浩成熟的身體并愛(ài)上了他。智賢從她的情人俊瑞那里吃藥,喂了成浩,然后強(qiáng)奸了他。智賢的女兒恩愛(ài)目睹了這一幕,記錄了她們淫蕩的呻吟,威脅成浩,并再次強(qiáng)奸了成浩。Seong-ho 的情人 Yeong-seo 堅(jiān)持要他們一起住在她的房子里。在英瑞的要求下,成浩告訴智賢他想離開(kāi)家,但給他看了成浩和恩愛(ài)的性愛(ài)視頻,并威脅要讓他走。 絕望的成浩認(rèn)為離開(kāi)這所房子的唯一方法就是不做男人,他不知疲倦地與智賢和恩愛(ài)建立了關(guān)系。厭倦了不能扮演男人的成浩,母女倆最終放走了成浩。

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劇情提要

應(yīng)母親的要求,成浩在母親的朋友智賢家擔(dān)任保鏢和寄宿生。智賢看到成浩成熟的身體并愛(ài)上了他。智賢從她的情人俊瑞那里吃藥,喂了成浩,然后強(qiáng)奸了他。智賢的女兒恩愛(ài)目睹了這一幕,記錄了她們淫蕩的呻吟,威脅成浩,并再次強(qiáng)奸了成浩。Seong-ho 的情人 Yeong-seo 堅(jiān)持要他們一起住在她的房子里。在英瑞的要求下,成浩告訴智賢他想離開(kāi)家,但給他看了成浩和恩愛(ài)的性愛(ài)視頻,并威脅要讓他走。 絕望的成浩認(rèn)為離開(kāi)這所房子的唯一方法就是不做男人,他不知疲倦地與智賢和恩愛(ài)建立了關(guān)系。厭倦了不能扮演男人的成浩,母女倆最終放走了成浩。

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等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.