影片推薦
記憶裂痕:血親幻影
里羅·得萬(wàn)托,法拉迪娜·穆夫提,馮尼·安格萊尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring宇宙護(hù)衛(wèi)隊(duì):百變流星
李靖,劉妤姻子,劉蕊,姜英俊承諾2017
楠迪·宗拉維蒙,安比查雅·松可寒,圖恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里庫(kù)蘇拉康,Duentem Salitul,本杰明·約瑟夫·瓦尼,素查達(dá)·彭帕塔娜蘇,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri玉米地的孩子:起源
琳達(dá)·漢密爾頓,考特尼·蓋恩斯,彼得·霍頓美國(guó)暴力
布魯斯·鄧恩,丹妮絲·理查茲,凱維·萊曼-默塞尤,哥倫布·紹特,羅布·格隆科夫斯基,邁克爾·帕爾,約翰尼·梅辛納,愛(ài)瑪·里格比,尼克·齊蘭德,帕特里克·基爾帕特里克,邁克爾·約翰·朗,米歇爾·圣托彼得羅,威洛·黑爾金童2025
張繼聰,曾志偉,韋羅莎,林雪,朱栢康,劉皓嵐,火星,邱穟恒,李靖筠,鄭丹瑞,上山詩(shī)鈉,袁富華,林燕玲同類(lèi)精選
反防御
莉諾·贊,莫里·柴金冰尸玩過(guò)界
Seth David Mitchell,Brit Morgan,Noah Segan被破壞的男人
金明民,嚴(yán)基俊煉獄校園
賈瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul兩個(gè)心臟
金宣兒,馬東錫,李清娥,鄭仁基,樸孝朱,申正根咸魚(yú)翻身
李健仁,梁家仁,鐘偉強(qiáng),程?hào)|,黃一山,馬雪陽(yáng),Boz,董方卓影視排行
浴血黑幫電影版
基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內(nèi)利,派克·李,伊恩·佩克,杰伊·利庫(kù)戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆1940年的伯明翰,在第二次世界大戰(zhàn)的混亂中,湯米·謝爾比(基里安·墨菲 飾)從自我放逐中回歸,直面著迄今為止最具破壞性的清算。家族和國(guó)家的未來(lái)岌岌可危,湯米必須面對(duì)自己心中的惡魔,并選擇是直面它還是將其毀滅。
狙擊精英∶孤魂野鬼
查德·科林斯,湯姆·貝倫杰,瑞安·羅賓斯,喬什·布雷納,Tuks Tad Lungu,多米尼克·馬厄,Manuel Rodriguez-Saenz,米歇爾·伊薩·盧比歐精英狙擊手布蘭登·貝克特與他的小隊(duì)在哥斯達(dá)黎加執(zhí)行一項(xiàng)秘密任務(wù)時(shí),遭遇陰謀陷害,任務(wù)失敗演變?yōu)閲?guó)際丑聞。為了掩蓋真相,美國(guó)政府直接撇清關(guān)系,將這群最鋒利的戰(zhàn)士定性為“恐怖分子”。前一秒還為國(guó)效力的英雄,后一秒就成了被自己國(guó)家通緝的逃兵。沒(méi)有合法的身份,沒(méi)有空中支援,甚至沒(méi)有合法的射擊通道,布蘭登陷入了前所未有的孤立無(wú)援。
泥娃娃
楊祐寧,蔡思韻,張軒睿,周采詩(shī),郭雪芙,陳為民,李冠毅,高山峰,黃建群泥娃娃,泥娃娃,一個(gè)泥娃娃?? 童謠的背後,隱藏著神秘驚悚的故事。在遊戲公司工作的旭川(楊祐寧 飾),為開(kāi)發(fā)一項(xiàng)新的恐怖VR遊戲,意外將一尊來(lái)自?xún)凑F(xiàn)場(chǎng)的殘破泥娃娃帶回家,沒(méi)想到懷有身孕、身為文物修護(hù)師的妻子慕華(蔡思韻 飾)對(duì)其產(chǎn)生異常執(zhí)念,不斷進(jìn)行修復(fù)。隨著家中怪事頻傳,慕華狀態(tài)也越來(lái)越虛弱,旭川無(wú)計(jì)可施,輾轉(zhuǎn)求助通靈驅(qū)魔人阿生(張軒睿 飾),而泥娃娃背後深埋的駭人祕(mì)密,也隨之浮出水面??
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster