猛男誕生記

★ 8.4 播放：98萬 更新：2026-05-10

在一個女權(quán)盛行的村落里，性格暴戾的卞強衰（奉太奎暫無內(nèi)容飾）卻被女性們公開的鄙視，原來一切只因為他的那話兒微小，相反他的哥哥強木在村中頗有人緣，強木對弟弟心有愧疚，原來兄弟倆靠買年糕為生，某次在街上，強木因為自己的疏忽導(dǎo)致弟弟喪失了那話兒。不久，村中來了一名女子月石（金新雅暫無內(nèi)容飾），月石早年被日本人擄去，雖然風(fēng)情萬種可是頭腦不大清楚。村中的登徒子們?nèi)杖找酝蹈Q月石為樂，不忍月石為難的強木將她娶回家，做了強衰的嫂子。某天夜里，強衰救下了一老一少，老人出于感激，將“天下大將軍”神像下面神酒的秘密告訴了強衰，強衰飲酒后，迎來了洶涌澎湃的二次發(fā)育，這使他的人生，甚至全世界的歷史都發(fā)生了劇烈的變化……

在線播放

劇情簡介

在一個女權(quán)盛行的村落里，性格暴戾的卞強衰（奉太奎暫無內(nèi)容飾）卻被女性們公開的鄙視，原來一切只因為他的那話兒微小，相反他的哥哥強木在村中頗有人緣，強木對弟弟心有愧疚，原來兄弟倆靠買年糕為生，某次在街上，強木因為自己的疏忽導(dǎo)致弟弟喪失了那話兒。不久，村中來了一名女子月石（金新雅暫無內(nèi)容飾），月石早年被日本人擄去，雖然風(fēng)情萬種可是頭腦不大清楚。村中的登徒子們?nèi)杖找酝蹈Q月石為樂，不忍月石為難的強木將她娶回家，做了強衰的嫂子。某天夜里，強衰救下了一老一少，老人出于感激，將“天下大將軍”神像下面神酒的秘密告訴了強衰，強衰飲酒后，迎來了洶涌澎湃的二次發(fā)育，這使他的人生，甚至全世界的歷史都發(fā)生了劇烈的變化……

導(dǎo)演精選

偶像大師 百萬現(xiàn)場！ ～終將，立于中央～

 在MILLIONSTARS的偶像們于定期公演中閃耀綻放之際，美也收到了一封"希望能一起熱鬧學(xué)園祭"的商談?wù)埱?。與朋花、茉莉三人共同遇到的寄信人——高中二年級學(xué)生花，是美也的忠實粉絲，她一直憧憬著美也那種能以獨特步調(diào)克服困難的身姿。得知花正打算放棄組建樂隊的夢想后，美也主動提出要和她一起實現(xiàn)夢想。在共同追逐夢想的每一天里，推動兩人前進的并非花所憧憬的美也——而是美也發(fā)自內(nèi)心的真實情感。

如來神掌2020

　　龍劍北因為要籌錢救自己病重的妹妹，在一次機緣巧合之下，接觸到神秘組織黑羽會，黑羽會不斷在做人體實驗，企圖造出擁有超能力的改造人。為了錢，龍劍北接受超能力改造。由于控制不了體內(nèi)的超能力，龍劍北拜了一位老者為師，學(xué)習(xí)駕馭超能力，學(xué)會了如來神掌，并結(jié)識了一位武林中的名門正派，二人一同上路，展開了各種緊張刺激的冒險……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster