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鬼影實錄：東京之夜
中村蒼,青山倫子位于東京的某區(qū)，山野一家三口過著富庶自在的生活。2010年9月3日，姐姐春花（青山倫子 飾）從美國歸來，此前她在旅行中遭遇一場車禍，致令雙腿嚴重骨折。弟弟幸一（中村蒼 飾）是個開朗陽光的大男孩，他拿著新買的攝像機拍下了山野家生活的點點滴滴。由于父親公務繁忙，平時只有姐弟二人在家。平靜的日子并未持續(xù)太久，一絲不安便在屋子內(nèi)肆意彌漫。春花發(fā)現(xiàn)，每當次日醒來床邊的輪椅便會發(fā)生移動。為了探明真相，幸一決定在姐姐的臥房內(nèi)安置攝像機，監(jiān)控夜晚的情況。在屏幕前，不可思議的景象接連發(fā)生，姐弟倆似乎也陷入惡魔的詛咒中，無法逃脫…… 本片為恐怖片《鬼影實錄》的日本版。
藍調之歌
休·杰克曼,凱特·哈德森,邁克爾·因佩里奧利,費舍·史蒂芬斯,詹姆斯·貝魯什,艾拉·安德森,金·普安公主,穆斯塔法·沙基爾,Bob Roseman,杰森·華納·史密斯,羅伯特·約翰·加拉格爾,Eva Kaminsky,Beth Malone,馬特·戈爾斯基,Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鮑里斯·倫敦,Johnny Olmez,Faye Tamasa影片改編自真實故事，講述兩名時運不佳的音樂人（休·杰克曼與凱特·哈德森 飾）組成一支充滿歡樂氣氛的尼爾·戴門致敬樂團，證明了尋找愛情和追逐夢想永遠不會太晚。
米納里
史蒂文·元,韓藝璃,達里爾·考克斯,威爾·帕頓,尹汝貞,蒂娜·帕克,斯科特·黑茲,艾倫·S·金,Laurie Cummings,埃里克·斯達克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan故事發(fā)生在20世紀80年代的美國，美籍韓裔男子雅各布（史蒂文·元 Steven Yeun 飾）帶著妻子莫妮卡（韓藝璃 飾）和兩個孩子大衛(wèi)（Alan S. Kim 飾）、安妮（Noel Cho 飾）一起從熟悉的西海岸搬到了偏僻而又陌生的阿肯色州。雖然對于丈夫的這一決定，莫妮卡的心中十分的反對，但她拗不過雅各布的堅決和頑固，只得被迫夫唱婦隨。蠻荒之地的生活既不舒適也不有趣，在最初的新鮮感過去之后，大衛(wèi)和安妮很快就開始懷念起過去的生活了。之后，孩子們的外婆也來到了他們的身邊，給這個家庭帶來了一絲熱鬧的氣息。雅各布沒有發(fā)現(xiàn)的是，當他將越來越多的時間和精力投入到開發(fā)農(nóng)場這件事情上時，他和妻子之間的距離就越來越遠。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
要是晴天就好了
永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍賞美津子,吉行和子,藤間爽子,豐島花,富山繪里子,布施千賀子,高橋努,白本彩奈,宮澤美保本劇改編自自身也有護士經(jīng)驗的藤岡陽子所著同名小說。故事發(fā)生在1945年的菲律賓，穿越時空的主人公，在戰(zhàn)爭時期物資匱乏、與死亡相伴的殘酷狀況下，與同伴們一起不失去希望地生活著，通過每天的生活，逐漸找回生存的力量。
六六大順
李孟武,肖軼,安悅溪,王喳喳,黃一飛,井凌瀟,畢童,提愛民瀕臨破產(chǎn)的老板李大順（李孟武 飾）為逆轉絕境，與死磕項目的技術宅李譜（肖軼 飾）踏上尋“小分子水”之路，臨時搭擋的組合囧況百出，還沒發(fā)車就透露著熱鬧，并偶遇了身世可憐的少年六六……