劇情縱覽
聾人小馬 (張藝興 飾)和女兒木木(李珞桉 飾)彼此為伴,小孩姐木木是家里的“頂梁柱”,替爸爸和外界溝通,幫爸爸接活賺錢。然而隨著木木的長大,她必須要融入聽人的世界,兩人形影不離的生活即將被打破。就在此時,一個專門利用聾人犯罪的團(tuán)伙盯上了小馬,愛女心切的他一步步被騙入了犯罪的深淵.....
聾人小馬 (張藝興 飾)和女兒木木(李珞桉 飾)彼此為伴,小孩姐木木是家里的“頂梁柱”,替爸爸和外界溝通,幫爸爸接活賺錢。然而隨著木木的長大,她必須要融入聽人的世界,兩人形影不離的生活即將被打破。就在此時,一個專門利用聾人犯罪的團(tuán)伙盯上了小馬,愛女心切的他一步步被騙入了犯罪的深淵.....
對于音樂家雷米(帕特里克·迪瓦爾 Patrick Dewaere 飾)來說,日子變得越來越不好過,不僅僅是職業(yè)上的停滯不前,妻子一成不變的容顏和乏味的婚姻生活也讓他幾近抓狂。就在這個節(jié)骨眼上,妻子車禍身亡的消息讓雷米感到震驚卻又有一絲解脫,而妻子留下的14歲的繼女瑪麗安(阿里爾·貝西 Ariel Besse 飾)也成為了一個包袱?,旣惏驳纳赶電Z回瑪麗安的撫養(yǎng)權(quán),沒想到,小小的瑪麗安卻更愿意和繼父生活在一起。同一屋檐下,這對沒有血緣關(guān)系的“父女”之間的情感變得朦朧而又曖昧。對于瑪麗安的火熱表白,雷米從最初的果斷拒絕到之后的欲拒還迎,他能否守住倫理道德的最后一條底線呢?
學(xué)識淵博偉岸帥氣的任智勛(李忠秀 飾)是小有名氣的精神科醫(yī)師,他偏向冷靜思維人與人之間的情感,將一切都?xì)w于最理性科學(xué)解釋,內(nèi)心雖感深深孤獨(dú),卻時常和不同的女子夜夜歡歌,雙棲雙宿,一味沉湎肉體的歡愉。他的同事兼好友俊基則不然,是一個追求真愛的傳統(tǒng)男子??』ㄟ^相親結(jié)識美麗的提線木偶師賢貞(具智成 飾),然而對方仿佛隱藏的無盡的心事。賢貞時常會看到恐怖的鬼影出現(xiàn)在她的面前,有時會莫名其妙失去知覺。為了幫助女友擺脫困境,俊基拜托智勛采用催眠的辦法為賢貞治療?! 〈呙哌^程中,賢貞講述了自己隱秘的過去,并開始表現(xiàn)出妖冶鬼魅的人格。禁不住誘惑,智勛利用催眠跨越禁區(qū),全然不計(jì)任何后果……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
聚焦追夢女孩伊登的納什維爾驚魂:懷揣音樂夢的她移居鄉(xiāng)村音樂之都,與音樂大亨之子杰克斯墜入愛河,卻在甜蜜中發(fā)現(xiàn)多起與杰克斯相關(guān)的女性連環(huán)命案。隨著調(diào)查深入,家族的黑暗秘密層層揭開,伊登驚覺自己早已身陷致命陷阱。