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超越鼓丘
邁克爾·科瓦爾斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop樹葉已經(jīng)開始變了，但喬納森·魯斯特教授對即將到來的學期仍然準備不足。本周末，他正在為考古系的野外工作課程尋找合適的地點。在同行學者和雇工的幫助下，該團隊在拂曉時分出發(fā)。這次旅行為喬納森提供了一個難得的機會，讓他親自動手，成功可能意味著出版，也可能意味著終身教職。當一名助教神秘失蹤時，探險隊很快就脫軌了。很快，這群人發(fā)現(xiàn)自己處于現(xiàn)實和來世的交匯處，陷入了令人難忘的瘋狂之中。
提線木偶
李忠秀,具智成,韓素英學識淵博偉岸帥氣的任智勛（李忠秀 飾）是小有名氣的精神科醫(yī)師，他偏向冷靜思維人與人之間的情感，將一切都歸于最理性科學解釋，內(nèi)心雖感深深孤獨，卻時常和不同的女子夜夜歡歌，雙棲雙宿，一味沉湎肉體的歡愉。他的同事兼好友俊基則不然，是一個追求真愛的傳統(tǒng)男子?？』ㄟ^相親結(jié)識美麗的提線木偶師賢貞（具智成 飾），然而對方仿佛隱藏的無盡的心事。賢貞時常會看到恐怖的鬼影出現(xiàn)在她的面前，有時會莫名其妙失去知覺。為了幫助女友擺脫困境，俊基拜托智勛采用催眠的辦法為賢貞治療?！ 〈呙哌^程中，賢貞講述了自己隱秘的過去，并開始表現(xiàn)出妖冶鬼魅的人格。禁不住誘惑，智勛利用催眠跨越禁區(qū)，全然不計任何后果……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
勾魂谷
杰米·貝爾,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson故事發(fā)生在第一次世界大戰(zhàn)期間，英國聯(lián)軍和德軍之間的戰(zhàn)況日漸白熱化，每天都有無數(shù)的士兵們含恨死去，年僅十六歲的莎士比亞（杰米·貝爾 Jamie Bell 飾）亦參與了這場戰(zhàn)爭，戰(zhàn)場上傷痕累累的慘狀給他的心靈蒙上了厚厚的陰影?！ ∧橙?，莎士比亞和一干戰(zhàn)友們正在進行一項突襲任務(wù)，就在大家凝神鼻息偷偷前進之時，一股不知從何而來的神秘煙霧將他們包圍。之后，一行人來到了德軍的戰(zhàn)壕內(nèi)，然而這里了無生氣，有的只是一具具死相及其恐怖的尸體。這里究竟發(fā)生了什么？莎士比亞所在的連隊繼續(xù)前進，詭異的事情不斷發(fā)生，連隊中亦不斷的有人喪命，莎士比亞隱約覺得，在前方等待著他們的正是地獄的入口。
請求救援
瑞秋·麥克亞當斯,迪倫·奧布萊恩,布魯斯·坎貝爾,丹尼斯·海斯伯特,澤維爾·塞繆爾,吳育剛,艾瑪·雷米,Edyll Ismail,塔內(nèi)·瓦拉庫努婁,布拉德·弗萊特當求生變成獵殺，誰會是最終的幸存者？兩名同事在飛機失事后，成為唯一幸存者并困在荒島上。他們必須放下過往恩怨、共同求生，但最終演變成一場不安又黑色幽默的意志與智慧對決……
意外空間
胡伯托·巴斯托,Erick Trinidad Camacho,Santiago Mendoza Cortes,Adrián Ladrón de Guevara,Enrique Mendoza,埃爾南·門多薩,勞爾·門德茲兄弟二人生活過的緊巴巴，弟弟生性懦弱，哥哥強勢霸道，這天，哥哥搶劫別人得來了錢，兄弟二人正高興之際，一名偵探找上門來，雙方發(fā)生爭執(zhí)，追逐之中，三個人發(fā)現(xiàn)自己被困于無窮無盡的樓梯上，無論如何都走不到盡頭 …… 另一邊，一家人被困于無邊無境的馬路上，相同的加油站，相同的便利店，四周一望無際的荒野，卻如何都逃不出這可怕的地獄…… 兩個沒有界限的空間，他們要如何應對內(nèi)心逐漸升起的絕望？