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原來(lái)的秘書(shū)休假臨時(shí)請(qǐng)來(lái)了一名新的秘書(shū),新來(lái)的秘書(shū)有著性感的外表,性格很溫柔,員工們都特別喜歡她,有一天加班的晚又下起了雨,大家湊到一起喝啤酒。一天,頭頭送她回家然后接下來(lái)發(fā)生了啥就不知道了
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母親2009
金惠子,元斌,晉久,尹宰文,全美善,宋清晨,千玗嬉,鄭煐禥,高圭弼,李美度,樸明申,李?yuàn)捽?/span>三天
樸新陽(yáng),李民基,李來(lái)至尊馬蒂
提莫西·查拉梅,格溫妮斯·帕特洛,敖德薩·阿德隆,凱文·奧利里,泰勒·奧康馬,桑德拉·伯恩哈德,阿貝爾·費(fèi)拉拉,喬什·伯恩,亞歷山大·布里尼策,丹尼斯奎里根,泰勒·戴蒙德,蓋佐·羅赫里格,法蘭·德瑞雪,弗朗西斯·杜莫里耶,凱文·??藸査诡D,約里斯·斯圖克,克里斯蒂安·伊格弗丹斯,布萊克·吉奧維蒂,斯賓塞·格蘭斯,托雷·希爾女人們的談話
魯妮·瑪拉,朱迪思·愛(ài)薇,艾米麗·米切爾,凱特·哈萊特,麗芙·麥克尼爾,克萊爾·芙伊,希拉·麥卡錫,杰西·巴克利,米歇爾·麥克勞德,基拉·古洛安,莎伊拉·布朗,弗蘭西斯·麥克多蒙德,薇薇安·安迪克特·道格拉斯,本·衛(wèi)肖,奧古斯特·溫特,洛克蘭·雷·米勒,納撒尼爾·麥克帕蘭德,威爾·寶,伊里·哈姆,艾米麗·德雷克,馬庫(kù)斯·克雷格,卡羅琳·吉利斯戰(zhàn)爭(zhēng)藝術(shù)家
埃米爾·赫斯基,因巴爾·拉維,伊安·蒂阿爾,亞當(dāng)·切赫曼,Edward Foy,Chris Cope,喬希·布萊克,喬什·祖克曼,尤金·里皮斯基,達(dá)里亞斯·布萊克,Pam Kearns,Tori Griffith,Brad Abramenko,邁克爾·本耶爾,Boris Bilic,馬特·布朗,Reid Anthony Cronin,阿亞斯·達(dá)爾曼,Rebecca Dykstra,Craig Erickson復(fù)仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita人氣佳作
驅(qū)魔人:信徒
琳達(dá)·布萊爾,艾倫·伯斯汀,詹妮弗·內(nèi)特爾斯,小萊斯利·奧多姆, 奧利維亞·馬庫(kù)姆,安·唐德,莉婭·朱厄特,拉法埃爾·沙巴拉格,諾爾貝特·里奧·布茨,本·布萊頓,克洛伊·特??冀z,E·J·博尼拉,莉茲·約翰斯頓,丹尼·麥卡錫,安東尼·科隆,諾拉·墨菲,奧奎·奧克波克瓦西里,埃米莉·雷切爾·戈登,塞萊斯特·奧利瓦,特蕾西·格雷夫斯食人之饑
馬克-安德烈·格隆丁,莫妮亞·肖克里,Charlotte St-Martin繼女2024
安妮·伊隆澤,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs有朵云像你
屈楚蕭,王子文,王皓,何藍(lán)逗,黃毅,陳庭煜,吳彥姝,牛犇,余嘉誠(chéng)導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
感染她嘴唇的欲望2025
本片改編自寄田みゆき創(chuàng)作的同名漫畫(huà)。伊藤早奈是一個(gè)可愛(ài)的女高中生,生活充滿(mǎn)了快樂(lè),但從未體驗(yàn)過(guò)戀愛(ài)的感覺(jué)。因?yàn)檐?chē)禍住院的早奈,在醫(yī)院里被一個(gè)非常漂亮的女生吸引了。于是,一段青澀甜蜜的戀愛(ài)開(kāi)始了!
烏鴉2024
本片將更加忠實(shí)詹姆斯·奧·巴爾的同名漫畫(huà)。講述搖滾樂(lè)手埃里克·德雷文(比爾·斯卡斯加德 Bill Skarsg?rd 飾)和他的未婚妻雪莉(小枝女孩 FKA twigs 飾)被殘忍殺害。一年后,埃里克從墳?zāi)怪刑K醒,并進(jìn)行復(fù)仇。復(fù)活后的埃里克擁有著超自然的力量,而他所到之處必定有烏鴉跟隨。