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不可饒恕1992
克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃爾福特,紹爾·魯賓內(nèi)克,弗蘭西絲·費(fèi)舍,安娜·萊文,大衛(wèi)·木西,羅伯·坎貝爾,安東尼·詹姆斯,塔拉·弗萊德里克,貝弗利·埃略特,莉薩·雷波-馬特爾,喬西·史密斯堪薩斯的農(nóng)民威廉（克林特·伊斯特伍德 Clint Eastwood ）年輕時(shí)曾是出名的殺手和劫匪，然而當(dāng)遇上了克勞迪亞后，他的生活開(kāi)始徹底改變。威廉和克勞迪亞結(jié)婚生子后，洗手不干，一家人過(guò)著幸福的生活。好景不長(zhǎng)，克勞迪亞不久故去，威廉獨(dú)立帶著兩個(gè)孩子過(guò)著清貧寧?kù)o的生活。 這時(shí)，該地區(qū)發(fā)生了一起牛仔醉酒毆打妓女并將其毀容的惡性事件，壞蛋警長(zhǎng)達(dá)格特（吉恩·哈克曼 Gene Hackman 飾）只將此事草草了結(jié)，兇手仍逍遙法外。當(dāng)?shù)丶伺娂娋桢X(qián)，要求懸紅1000美金請(qǐng)殺手來(lái)伸張正義?！八伎品茽柕滦∽印闭业酵?，要求合伙干這票買(mǎi)賣(mài)。為了給孩子們一個(gè)幸福富足的家庭，威廉終于答應(yīng)再次出山。
西區(qū)故事
安塞爾·艾爾高特,瑞秋·齊格勒,阿麗亞娜·德博斯,大衛(wèi)·阿爾瓦雷茨,邁克·費(fèi)斯特,寇瑞·斯托爾,布萊恩·達(dá)西·詹姆斯,麗塔·莫雷諾,寇蒂斯·庫(kù)克,凱文·科索拉克,麥迪·齊格勒,朱利葉斯·盧比奧,杰米·哈里斯,阿蒂夫·拉尼爾,何塞·拉蒙·羅薩里奧,克麗絲·懷特赫德,凱爾·艾倫,塔莉婭·萊德,貝爾·邁克爾斯 ,哈維·埃文斯,戴維·比恩,凱爾·休斯,基思·勒克里德·哈里斯電影改編自1957年的百老匯音樂(lè)劇，講述了20世紀(jì)50年代紐約街頭的“噴氣機(jī)幫(Jet)”和 “鯊魚(yú)幫(Sharks)”之間的爭(zhēng)斗，以及分屬不同幫派的“苦命鴛鴦”托尼（安塞爾·埃爾格特 飾）和瑪麗亞（瑞秋·齊格勒 飾）的愛(ài)情。
曼谷保鏢2
Petchtai Wongkamlao,Tony Jaa⊙《曼谷保鏢2》的故事： 影片故事講述拔泰王錦魯飾演的東南亞某小國(guó)特工翁坤，為了調(diào)查一伙恐怖份子，秘密潛入泰國(guó)曼谷執(zhí)行任務(wù)，并化裝成為流行歌星，混入唱片公司追查。他老婆并不知道他的真實(shí)身份，因?yàn)槲汤な莻€(gè)十足的“妻管?chē)?yán)”，但要命的是，他在泰國(guó)無(wú)可救藥愛(ài)上了一個(gè)漂亮美眉……與此同時(shí)，恐怖份子也要發(fā)動(dòng)大規(guī)模襲擊了，翁坤如何能制止這場(chǎng)破壞？ ⊙《曼谷保鏢2》的看點(diǎn)： 繼2005年大賣(mài)座的第一集之后，《曼谷保鏢》于今年拍出了續(xù)集，有“泰國(guó)周星馳”之稱泰國(guó)喜劇明星拔泰王錦魯繼續(xù)自編自導(dǎo)自演，繼續(xù)請(qǐng)來(lái)《拳霸》東尼·嘉參與演出。影片向周星馳、成龍電影偷了師，并且自己惡搞了《拳霸》《冬蔭功》等片，拔泰王錦魯（《拳霸》另一主演）演出非常出彩過(guò)癮。Tony Jaa則之是客串身份，在片中有一場(chǎng)打斗，另外自己還拿《冬蔭功》開(kāi)涮，十分的“搞”。
喜羊羊與灰太狼之羊年喜羊羊
祖晴,張琳,楊陽(yáng)洋,高全勝,梁穎,鄧玉婷,劉紅韻,趙娜在陽(yáng)光明媚的日子里，灰太狼突然闖入羊村，雖然他被小羊羊們擊退，卻把村長(zhǎng)的變身魔毯打劫回去。表現(xiàn)英勇的喜羊羊受到伙伴們的稱贊，而懶羊羊?qū)Υ朔炊行崙嵅黄健榱俗C明自己的實(shí)力，他將慢羊羊的時(shí)空照相機(jī)錯(cuò)認(rèn)為手槍?zhuān)瑢⑵渫底吆箨J入狼堡。得知消息的喜羊羊匆匆趕去營(yíng)救，結(jié)果在混亂之中被卷入時(shí)空亂流回到了遠(yuǎn)古時(shí)代，灰太狼和懶羊羊更被魔毯互換了身體?；姨菬o(wú)意中被原始羊的千金相為駙馬，懶羊羊則成為幾只笨狼的首領(lǐng)?！ 】膳碌氖怯幸粭l能把任何生物變成石頭的惡龍肆虐，為了保衛(wèi)原始時(shí)代的朋友們，喜羊羊他們攜手挑戰(zhàn)惡龍，懶羊羊更成為了足以改變歷史的英雄人物……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
洛杉磯劫案
克里斯·海姆斯沃斯,馬克·魯法洛,巴里·基奧恩,哈莉·貝瑞,莫妮卡·巴巴羅,科里·霍金斯,尼克·諾特,詹妮弗·杰森·李,泰特·多諾萬(wàn),保羅·安德斯坦,戴文·博斯蒂克,德魯·鮑威爾,帕特里克·穆?tīng)柧S,馬修·德?tīng)枴?nèi)格羅,安德拉·內(nèi)切塔,法希姆·法茲利,佩曼·莫阿迪,丹·佩羅,喬?！に雇?哈娜可·福特曼從未失手的珠寶大盜，本想干完最后一票便金盆洗手，卻與中年失意的精英高管意外結(jié)盟，聯(lián)手布下棋局。另一邊，深陷職場(chǎng)困局的王牌警探，正憑借蛛絲馬跡一步步將矛頭對(duì)準(zhǔn)他們，更有黑幫劫匪暗中蟄伏，伺機(jī)攪局。螳螂捕蟬、黃雀在后，當(dāng)規(guī)則與道德的邊界被打破，這場(chǎng)顛覆命運(yùn)的驚天罪案，究竟誰(shuí)能安全脫身？