即刻觀影
劇情賞析
編輯推薦
重案·無罪
張?zhí)炱?步籽穎 Ziying Bu,于榮光,杜玉明,梁焯滿,駱言,吳永康,朱梓玥,樓學賢,張嘉飛,張苡寧本片講述了重案組組長張晨峰被余建明陷害成殺人兇手后，張晨峰被捕后，在刑偵專家周楊與重案組成員的努力 下，成功將真正的連環(huán)殺人案的 兇手緝拿歸案的故事。
海底兩百里
沃爾特·皮金,瓊·芳登,芭芭拉·伊登,彼得·洛,羅伯特·斯特靈美國海軍上校尼爾遜（沃爾特皮金飾）領導潛艇海景號在北極下探測時，地球突生危機，大氣層被一股大火燃燒，令地球極速升溫，地球上干旱無雨，頓誠人間煉獄。科學家主張紛歧，尼爾遜決定由海景號發(fā)射核子飛彈，讓其在大氣層外爆炸以期熄滅大火，令地球降溫。為求能夠快速解決這個問題，尼爾遜毅然由船員自愿選擇是留在船上還是繼續(xù)前進，但是在全世界都沒有辦法的情況下，只有聽命于尼爾遜的這個計劃了……
冷光中
麥卡·夢露,艾倫·霍科,特洛伊·科特蘇爾,杰西·厄文,海倫·亨特,帕特里克·薩邦圭,戴維·哈索姆,瓦羅娜·塞茨瓦埃洛,諾亞·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麥克馬洪,Yannick Lemos,Steven Miller,Barry Tuff,奧斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait出獄后的艾娃試圖重新開始，卻被哥哥卷回毒品交易。警方設局致哥哥身亡，她再度逃亡。好友遇害、父親背叛、親情撕裂下，艾娃鋌而走險，與毒梟交易并清除叛徒，最終再次入獄。
他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結(jié)實,三浦健人,青木さやか,大倉空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出來事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫畫の舞臺を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの戀人?メグミを?qū)铯荬袱搿?/p>
笑臉殺人狂
羅南·魯賓斯坦,米婭·塞拉菲諾,克里斯平·格洛弗,阿馬迪厄斯·塞拉菲尼,阿什莉·里卡茲,加勒特·科菲,科迪·辛普森,Daniel Covin,Rachel Crowl,Gus Langley,Corey PratherAbout a handsome young soccer player Jake Graham who believes he is going insane, unable to shake the feeling of being stalked by something, by someone.
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.