赫利

? 6.9 播放：10萬(wàn) 2026-05-11

Estela是一個(gè)12歲的小女孩，她愛(ài)上了一個(gè)17歲的特警學(xué)員，而這個(gè)特警學(xué)員也想帶她遠(yuǎn)走高飛?？蓻](méi)想到的是為了實(shí)現(xiàn)自己的夢(mèng)想，Estela讓自己的家庭陷入了滅頂之災(zāi)，暴力血案槍?xiě)?zhàn)復(fù)仇席卷了這個(gè)墨西哥小鎮(zhèn)…

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劇情提要

Estela是一個(gè)12歲的小女孩，她愛(ài)上了一個(gè)17歲的特警學(xué)員，而這個(gè)特警學(xué)員也想帶她遠(yuǎn)走高飛?？蓻](méi)想到的是為了實(shí)現(xiàn)自己的夢(mèng)想，Estela讓自己的家庭陷入了滅頂之災(zāi)，暴力血案槍?xiě)?zhàn)復(fù)仇席卷了這個(gè)墨西哥小鎮(zhèn)…

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尸咒

　　以實(shí)驗(yàn)電影聞名海外各大電影節(jié)的知名導(dǎo)演輝旭（樸智勛 飾），為了拍攝以舞蹈為主題的新作品，將與新人演員詩(shī)映（金允慧 飾）、彩允（宋伊才 飾）一起在廢棄學(xué)校的屋頂上進(jìn)行拍攝。以破格、粗暴的舞蹈動(dòng)作開(kāi)始進(jìn)行拍攝后，演員和制作人們被一股神秘力量吞噬，拍攝現(xiàn)場(chǎng)瞬間陷入慘不忍賭的情況?！富钍K醒了！」面對(duì)不該醒來(lái)的存在，他們的命運(yùn)將會(huì)如何……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.