在線播放
劇情簡介
查理在舞海邂逅如花貌美的淑姬，兩人墮入情網(wǎng)，淑姬決定從良與查理結(jié)為夫婦，并打予查理經(jīng)營酒吧。婚后兩人感情由燦催于平淡，查理開始不安于室，四處拈花惹草，淑姬氣在心頭滿不是味兒。一天酒吧出現(xiàn)了一名英俊流浪漢來尋生計，淑姬靈機一觸，悉心安排了一個蛇蝎毒計，將查理引入一個血腥的性游戲里，以泄她心頭之恨。
導(dǎo)演精選
派對島上的危險
性格內(nèi)向的律師梅爾·戴爾得知她愛冒險的妹妹突然去世后感到悲痛欲絕。但當(dāng)她前往收集姐姐的尸體時，她很快就懷疑有人謀殺。她可能是下一個。
動物本能
在肉品工廠擔(dān)任經(jīng)理的安東尼，與美麗的嬌妻生了三個聰明伶俐的孩子，一家五口住在鄰近海邊的獨棟大房，日子過得愜意又舒適，直到一次意外昏倒，才被醫(yī)生診斷出腎臟出了毛病，必須靠洗腎才能維生?！ ∫幌蚍罟胤ǖ陌矕|尼，深怕自己熬不住排隊等換腎的煎熬，決定偷偷向非法管道求援，在網(wǎng)上找到了一對愿意以腎臟交換大房子的無業(yè)情侶，正當(dāng)他下定決心要砸下重金來拯救自己生命之時，他原本幸福美滿的生活，也隨著器官交易背后的層層危機，漸漸脫序崩毀...
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.