最后的性和愛
Kyung-hee被踢出工作場所后被送往醫(yī)院就診，結(jié)果令人震驚，事實上，他的身體出現(xiàn)了異常癥狀。主治醫(yī)師認(rèn)為她似乎患有艾滋病。當(dāng)她追蹤記憶時，似乎是由于外國人麥可（Maikol）在幾個月前的一個晚上見面并睡了覺。我本著喝酒的精神互相睡著了，但是會議本身并沒有持續(xù)很長時間，因為我是一個慶熙人，甚至不會說一個英語單詞。與男人發(fā)生關(guān)系后，腹股溝很癢，甚至全身都出現(xiàn)紅點，但這畢竟是因為艾滋??！盡管醫(yī)生要求重新檢查，但堅信自己患有艾滋病的景熙決定以所收集的三千萬韓元的性欲決定最后一次旅行。
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養(yǎng)鬼吃人9：啟示錄
史蒂文·布蘭德,丹尼爾·布蘭,Jolene Andersen某個晴朗假日，美國青年尼克（Jay Gillespie 飾）和好友史蒂文（Nick Eversman 飾）驅(qū)車穿越國境線，打算前往墨西哥的提華納尋找一次絕佳的艷遇。他們很快便鎖定了一個性感尤物，但是突如其來的意外讓二人的狂歡設(shè)想灰飛煙滅。正當(dāng)他們垂頭喪氣之際，某當(dāng)?shù)厝怂徒o二人一個精致的魔方。尼克和史蒂文的命運(yùn)就此改寫，他們也有如人間蒸發(fā)一般消失?！ ∧峥撕褪返傥牡氖й櫧o各自家人莫大的打擊，在一次家庭聚會中，艾瑪（Tracey Fairaway 飾）從兩人的行李中找到了那枚魔方，而渾身是血的史蒂文也突然出現(xiàn)在房間內(nèi)。家人們對此感到驚奇喜悅，卻不知道丁頭鬼的魔爪正慢慢伸向他們……
逃出食人農(nóng)場
Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack MillerIn the British countryside, the Harver family head out on an idyllic summer camping trip where they can bury past tensions and enjoy some family bonding. But when their camp is sabotaged by an unseen intruder in the night, they head to the nearby creepy old farm desperate for help, where vengeful farmer Hunt Hansen and his hideously deformed son aren't farming animals... Caged and waiting for their limbs to be severed, cooked and eaten one at a time, the Harver family must overcome their differences and unite in order to escape alive!
我很在乎
裴淳華,彼特·丁拉基,艾莎·岡薩雷斯,黛安·韋斯特,克里斯·梅西納,小伊塞亞·維特洛克,梅肯·布萊爾,艾麗西亞·維特,達(dá)米安·楊,尼古拉斯·羅根,利茲·恩格,喬治亞·萊曼,克里斯·埃弗里特,何塞·岡斯·阿爾維斯,凱文·芬內(nèi)西,珍妮爾·費(fèi)格利,杰米·加扎里安,阿德里安·M·蒙波因特瑪拉（裴淳華 Rosamund Pike 飾）經(jīng)營著一家監(jiān)護(hù)人公司，她專門尋找身體情況欠佳同時又無依無靠的老年人下手，通過并不是那么合法的手段令自己成為他們的法定監(jiān)護(hù)人，將他們送進(jìn)療養(yǎng)院，之后便可接手和變賣他們的財產(chǎn)和房產(chǎn)，再將所得據(jù)為己有?！ ∧橙眨斃瓕⑾乱粋€“吞噬”的目標(biāo)放在了一位名叫珍妮弗（黛安娜·維斯特 Dianne Wiest 飾）的老太太身上，經(jīng)調(diào)查，珍妮弗沒有任何的親人，同時又擁有著價值不菲的遺產(chǎn)，簡直就是他們的最佳“肥羊”。在一番操作之后，珍妮弗被沒收手機(jī)關(guān)進(jìn)了療養(yǎng)院，但此時的瑪拉和她的戀人兼合伙人弗蘭（艾莎·岡薩雷斯 Eiza González 飾）并不知道的是，她們?nèi)巧狭艘粋€不該惹，也不能惹的人。
SPEC：翔
戶田惠梨香,加瀨亮,淺野優(yōu)子,谷村美月,福田沙紀(jì),神木隆之介,龍雷太,椎名桔平,城田優(yōu),緒方義博經(jīng)過長時間的休整，治療眼傷的瀨文焚流（加瀨亮 飾）終于隨著當(dāng)麻（戶田惠梨香 飾）重返闊別已久的未詳，只是此時來自公安部公安五課的市柳（でんでん 飾）和吉川（北村一輝 飾）握得實權(quán)，令瀨文等人頗為氣悶。與此同時，在市井算命的覺被一掌握瞬間移動能力的黑衣男子射殺，同時遇害的還有覺的保鏢以及幾名無辜市民。父母雙雙遇害而作為幸存者并且目擊了黑衣人真實容顏的少女久遠(yuǎn)望（谷村美月 飾）便成為對方追殺的目標(biāo)。為了保護(hù)小望，未詳同仁通力合作，并持續(xù)追索黑衣人的真面目以及其背后的陰謀。在此期間，當(dāng)麻也展示了其不為人知的SPEC。一場斗智斗勇的戰(zhàn)斗拉開了序幕……
于特島7月22日
安德烈·伯恩森,亞歷山德·霍爾門,布瑞德·福里斯達(dá),艾麗·瑞亞儂·穆勒·奧斯本,蘇陸士·薩達(dá)特,馬格努斯·莫恩,張?zhí)靥m在2011年的7月21日那天，650個年輕人正在于特島上參加夏令營，他們剛剛得知一個令人震驚的消息，奧斯陸的一座政府大樓被一個全副武裝的右翼激進(jìn)份子炸毀，接著激進(jìn)分子就來到了于特島。影片將跟隨一名叫卡佳（Kaja）的小女孩，在聽到了激進(jìn)分子的第一聲槍響后，令人窒息的72分鐘生存掙扎。影片根據(jù)真實事件改編，于特島慘案是自第二次世界大戰(zhàn)以來全球最嚴(yán)重的單人犯罪槍擊案。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.