劇情縱覽
香港早期經(jīng)典電影
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臻選佳作
喂，應(yīng)為
長(zhǎng)澤雅美,永瀨正敏,高橋海人,大谷亮平,筱井英介,奧野瑛太,寺島忍
葛飾應(yīng)為生活在藝術(shù)幾乎完全由男性主導(dǎo)的江戶(hù)時(shí)代，盡管她是北齋之女，但仍作為屈指可數(shù)的女性畫(huà)師活躍于畫(huà)壇。她擁有連北齋都稱(chēng)贊“在美人畫(huà)方面勝我一籌”的繪畫(huà)天賦，同時(shí)性格火爆、剛強(qiáng)、煙不離手，是個(gè)豪爽灑脫的女性形象。 《喂，應(yīng)為》的主人公阿榮是北齋的女兒、得力助手，展現(xiàn)了驚人的繪畫(huà)天賦。她從父親那里獲得了“葛飾應(yīng)為”這一畫(huà)號(hào)，這個(gè)名字源于北齋常常喊她“喂，飯來(lái)！”“喂，筆來(lái)！”等日常呼喚，“應(yīng)”代表回應(yīng)，“為”則有作為、成就之意，是從師父?jìng)鹘o弟子的名號(hào)，也是父親傳給女兒的象征。盡管她不會(huì)泡茶，也不擅長(zhǎng)針線活，卻以繼承自父親的繪畫(huà)才華與膽識(shí)，在男性社會(huì)中闖出一條路。
美國(guó)暴力
布魯斯·鄧恩,丹妮絲·理查茲,凱維·萊曼-默塞尤,哥倫布·紹特,羅布·格隆科夫斯基,邁克爾·帕爾,約翰尼·梅辛納,愛(ài)瑪·里格比,尼克·齊蘭德,帕特里克·基爾帕特里克,邁克爾·約翰·朗,米歇爾·圣托彼得羅,威洛·黑爾
致力于研究暴力行為根源的世界著名心理學(xué)家阿曼達(dá)·泰勒博士，有一個(gè)訪談和評(píng)估死囚杰克遜·謝伊的良機(jī)，隨著訪談的開(kāi)始，決定杰克命運(yùn)的天平失去了平衡，阿曼達(dá)必須決定是否應(yīng)該允許執(zhí)行死刑！
懸案密碼4
尼古拉·雷·卡斯,法瑞斯·法瑞斯,約翰·路易斯·施密特,索倫·比爾馬克,范妮·博內(nèi)代爾,克拉拉·羅薩杰,路易斯·斯科夫,阿曼達(dá)·拉德里亞克,安德斯·霍夫,尼可拉斯·布若,埃利奧特·克羅賽特·霍夫,碧爾特·諾伊曼,邁克爾·布羅斯楚普,瑪麗安·霍格斯布羅,薇比珂·哈斯特倫,特賴(lài)恩·帕里森,納斯塔加·阿爾賽,亨里克·韋斯特加德·尼爾森,拉多·哈季奇,安德斯·布林克·馬德森,旺達(dá)·佩德?tīng)柧S茨
丹麥懸疑犯罪片，該片刷新丹麥國(guó)產(chǎn)片票房紀(jì)錄，是系列電影《懸案密碼》的第四部，也是最終章，《懸案密碼》系列改編自丹麥小說(shuō)家尤西·阿德勒-奧爾森（JussiAdler-Olsen）的同名小說(shuō)，
那個(gè)人在想什么事情
John Price,Preben Neergaard,Lotte Tarp
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.