卡拉OK辣妹

? 5.2 播放：45萬 2026-05-14
主演： 未知/

女主（李采潭 飾）原本在一家飯店工作，由于丈夫賭博離婚，丈夫還不斷問自己要錢，美其名曰撫養(yǎng)兒子，讓女主苦惱不已，一次偶遇曾經(jīng)的閨蜜，花枝招展的閨蜜給女主介紹了一份新工作，KTV陪酒女郎，當然價格合適的話，陪睡也是可以的，女主可以借此慰藉自己的空虛，還能賺更多的錢，而在這份新工作中，一個大暖男的出現(xiàn)，讓女主動搖了....

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劇情提要

女主（李采潭 飾）原本在一家飯店工作，由于丈夫賭博離婚，丈夫還不斷問自己要錢，美其名曰撫養(yǎng)兒子，讓女主苦惱不已，一次偶遇曾經(jīng)的閨蜜，花枝招展的閨蜜給女主介紹了一份新工作，KTV陪酒女郎，當然價格合適的話，陪睡也是可以的，女主可以借此慰藉自己的空虛，還能賺更多的錢，而在這份新工作中，一個大暖男的出現(xiàn)，讓女主動搖了....

幕后花絮

草莓之夜2013

　　仿佛永不停歇的連綿之雨，引領著成軍四年半的姬川班前往終點。在一周時間內(nèi)，東京連續(xù)發(fā)生三起作案手法雷同的殺人事件，死者全部隸屬最大黑幫大和會的下屬組織。警方旋即成立搜查總部，組隊四課堅持認定該案件因繼承人之位而起，而姫川玲子（竹內(nèi)結子 飾）提出質疑，導致總部分裂。隨之而來的神秘電話，令玲子將目標鎖定在柳井健斗（染谷將太 飾）的陌生男子身上，然而高層卻下令她禁止追查柳井這條線索。絕不隨便屈從強權的玲子，在菊田和男（西島秀俊 飾）等姬川班伙伴的掩護下展開獨立調(diào)查，在此過程中，柳井不堪回首的過去以及和警方錯綜復雜的關系逐漸明朗。而和自稱房地產(chǎn)商人的牧田勛（大澤隆夫 飾）邂逅，使得同樣背負著傷痕的玲子命運發(fā)生轉變……　　本片根據(jù)譽田哲也的系列懸疑小說《草莓之夜》改編，為同名電視劇的劇場版。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster