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綠液驚魂
喬·基瑞,連姆·尼森,喬治娜·坎貝爾,索茜·貝肯,瓦妮莎·雷德格雷夫,萊絲利·曼維爾,亞倫·赫弗南,埃洛拉·托爾基亞,羅伯·柯林斯,賈斯汀·塞林格,加文·斯波克斯,安德魯·布魯克,達(dá)雷爾·席爾瓦,露伊薩·里希特,納赫爾·策蓋,丹尼爾·里格比,克萊爾·霍爾曼,瓦倫蒂娜·波普科娃,納納·詹姆斯兩個值守夜班的“倒霉蛋”甜點心（喬·基瑞 飾）和內(nèi)奧米（喬治娜·坎貝爾 飾），意外發(fā)現(xiàn)了瘋狂繁殖的外星寄生真菌，無福消受這頓重口加班餐的二人發(fā)出求救信號?！暗栏小钡耐诵萏毓ち_伯特（連姆·尼森 飾）被迫再就業(yè)，重新上崗拯救即將被真菌腐蝕的世界。他們一邊躲避著因寄生而綠液四濺的宿主們，一邊和翻涌的腸胃做斗爭，在一陣陣爆漿聲中大開“驚喜盲盒”。這組畫風(fēng)迥異的“臨時戰(zhàn)友”能否阻擋這場末日浩劫？誰又能活著走出這個驚魂之夜……
抵擋計劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher一名被困在公寓里的年輕人，門外有一群惡魔，他必須找到一種方法度過夜晚，逃離213號公寓。
天空嶺殺人事件
徐康俊,文素利,申東美,李世榮《天空嶺殺人事件》是2013年12月05日，徐康俊和文素利主演的一集電視劇。
大盜演
李燦森,姜文杰,詹瑞文,秦沛,曾美慧孜,樂瞳,胡慧沖,何華超,楊梓菁,唐貝詩,鄺家瑜,潘伯仲,邱芷微,余曉彤,湯加文,田啟文,吳云甫,林慧倩,鄭詠謙制片徐蝦（李璨琛飾）及副導(dǎo)演張炳文（姜文傑飾）帶領(lǐng)拍攝團(tuán)隊正在泰國進(jìn)行《雌雄大盜》電影拍攝。誰料發(fā)生一連串意外及失誤令拍攝進(jìn)度雪上加霜??劇中當(dāng)紅的男女主角在沒有完成戲份下便要收工，監(jiān)製（田啟文飾）竟然毫不動氣，原來第二天已經(jīng)挾款逃亡，只剩下一大筆債務(wù)。 就只有拍攝好的七成戲份，到底剩下配角詹記（詹昊宸飾）與劉連飄飄（曾美慧孜飾）及幾名劇組人員在沒有男女主角的情況下能否順利完成餘下的戲份嗎??？
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster