弱殺

評分：4.5 播放：81萬 更新：2026-05-14
主演： 鄧衍成/

   生來就在智力方面有缺陷的女孩阿明（鐘淑慧飾）因為家庭突遭變故，無奈之下進入了庇護工廠，成為了打工妹，在工廠里，阿明結(jié)識了名叫阿樂（盧敏儀飾）的社工，隨著時間的推移，本來對自己的工作早已經(jīng)心灰意冷的阿樂被阿明的善良和樂觀所感動，找到了人生新的方向和希艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。近日來，工廠周遭頻頻發(fā)生色魔奸殺無辜少女的慘案，盡管警察步步追擊，但依然苦于沒有證據(jù)而無法破案。原來，此色魔不是別人，正是庇護工廠里的督導(dǎo)員亞偉（吳毅將飾），而他的下一個目標(biāo)竟然是純潔的阿明。就這樣，阿明慘遭玷污，之后，亞偉落網(wǎng)，可是，作為唯一的證人，阿明卻因為恐懼和羞恥而無法作證，亞偉被無罪釋放。目睹這一切的阿樂心痛萬分，決定以身試險，令亞偉原形畢露。

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妖星哥拉斯

池部良,白川由美,久保明,水野久美,平田昭彥

　　不明妖星哥拉斯在茫茫宇宙中不斷前進，沿途吸附大量的星際飛行物，不斷的變龐大，日本的觀測宇宙船隼號，為了探明其質(zhì)量大小，不幸被一起吸附，但是其在最后關(guān)頭向地球發(fā)出了其質(zhì)量數(shù)據(jù)，使地球上的人對其有了個初步認識，后經(jīng)科學(xué)家計算測定，其質(zhì)量為地球的６１００倍，而且將在４５天后與地球相撞?！　樽柚沟厍蚺c哥拉斯的相撞，科學(xué)家想出了一個大膽的辦法，就是運用水素離子裝置在南極造一個噴射基地（類似與火箭發(fā)射器），讓地球動起來，在哥拉斯到來之前，使地球移動到其他軌道．等哥拉斯安全通過后，然后在北極在建個基地，使地球在回到原來的預(yù)定軌道。　　計劃實施的非常順利，全世界各國在國聯(lián)的帶領(lǐng)下在南極建立了基地，但是由于在南極建造基地，在火焰發(fā)生器的作用下讓長眠在南極的海象怪獸蘇醒了，并破壞了一部份基地，后來，在飛機導(dǎo)彈的攻擊下，怪獸死了，但由于怪獸的破壞，火箭發(fā)生器推遲了時間，到底地球能不能脫離哥拉斯的吞噬呢？

絕命幽靈船

杰森·繆斯,理查德·雷西爾,Luke Guldan,Tyler Johnson

　　A clan of watermen capture a crew of sport fishermen who must then fight for their lives.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

愿大家擁有幸福

古川琴音,松大航也,橋本和雄

　　本作は田舎に住む祖父母に會いに行く看護學(xué)生の孫を主人公にした物語。孫は家族水入らずで幸せな時間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自體を揺るがすような根源的な恐怖に直面する。