劇情縱覽
父親死后他女兒記不得過去的任何事,但當(dāng)看著她父親在她出生前的時候拍攝下的影片,她所看到的是完全不同的女孩兒,她心里頓然起了疑念。她和她父親之間是否有什么未知的事?當(dāng)她為他的死感到內(nèi)疚時,也開始相信他是由于嫉妒而自殺的 hellip; hellip; hellip;
父親死后他女兒記不得過去的任何事,但當(dāng)看著她父親在她出生前的時候拍攝下的影片,她所看到的是完全不同的女孩兒,她心里頓然起了疑念。她和她父親之間是否有什么未知的事?當(dāng)她為他的死感到內(nèi)疚時,也開始相信他是由于嫉妒而自殺的 hellip; hellip; hellip;
阿黃(許冠文 飾)是一名料理師,個性有些輕浮又十分愛現(xiàn),但實際上,他是個名副其實的“妻管嚴(yán)”。阿黃和爺爺(許英秀 飾)一起住在岳父(盧海鵬 飾)家中,岳父性格武斷又強勢,生活中阿黃免不了要受氣,日積月累下來,阿黃的心中積蓄了許多不滿?! ∧橙眨晃幻麨槭┦ㄈ~倩文 飾)的美麗女子出現(xiàn)在了阿黃的面前,她正是阿黃的夢中情人。讓阿黃沒有想到的是,施施竟然對自己一往情深,還邀請他去菲律賓度假,這樣的好機會阿黃怎么能夠放過,兩人遂即動身。阿黃的妻子(鄒美儀 飾)和好友雪莉(葉麗儀 飾)得知此事,遂和父親一起,對阿黃展開了“追捕”。
《奇怪的末班車》高中生三上圭介結(jié)束了學(xué)校的社團活動已是深夜,他好不容易等來了末班車,車上的氣氛卻十分詭異;《同學(xué)會的通知》放棄了美大的夢想,女孩小山今日香正在參加補習(xí),某天她收到一通小學(xué)同學(xué)會的電話留言,于是和好友惠相約前往那個未知的所在;《惡夢十三日》人生正逢低谷的青年高崎圭太(向井理 飾)好不容易找到一份能夠提供宿舍的工作,可是他所在宿舍房間每到深夜2點就會傳來奇怪的聲音;《深淵迷路孩童》小女孩彩香(蘆田愛菜 飾)獨自住院,某天夜里她結(jié)識了自稱住在老樓的輪椅姐姐,兩人成了好朋友;《憤怒的紅寶石》寶石設(shè)計師川原美里受雇對一枚紅寶石進行改造,結(jié)果遭遇了最為離奇的一段經(jīng)歷。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
大老板(陳龍飾)所困的不法山客棧迎來了一群不一般的客官,這其中,來勢洶洶的西域人究竟是何身份?群妖匯集在此蠢蠢欲動又所圖為何?而路經(jīng)此地的唐僧師徒四人又將變幻何人才能騙過眾人耳目?在這座無法使用法力的神秘客棧,一場驚心動魄的西游版“狼人殺”即將拉開序幕。