劇情簡介
最近彼得找到一個(gè)銷shou真空吸塵器的新活,他的導(dǎo)師是位叫TOMMY的老手.他的銷shou方式非常蠻橫無禮,他唯一的目標(biāo)就是成為團(tuán)隊(duì)中出色的銷shou員,取得獎(jiǎng)項(xiàng).他們的性情不同,注定學(xué)徒的日子是迷茫而困惑。
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
派對島上的危險(xiǎn)
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東北往事·極惡不赦
劉牧,陶慧,王小毅,丁宇佳,魏子千,李飛揚(yáng),梁靖晨 Jingchen Liang,丁海峰,張潮,葛四,吳爾渥1995年,東北吉春市,兩名戴著麻布頭套的悍匪連殺數(shù)人劫走巨款,現(xiàn)場不留活口,手法毒辣到讓全城膽寒。警察局長命令刑偵隊(duì)長張震調(diào)查此案。早已隱退“江湖”多年的趙紅兵因戰(zhàn)友被殺,決定聯(lián)合刑偵隊(duì)長張震為犧牲的戰(zhàn)友討回這筆血債。
旁觀者2025
陳坤,王硯輝,劉敏濤,容中爾甲,安澤豪,陳依莎,單禹豪,王勁松,陸玲,王雯那,姜穎函離家十六年的陳家輝(陳坤 飾)在得知父親陳為民(王勁松 飾)病危后,重返故鄉(xiāng)。但父親未留下只言片語便匆匆離世。葬禮之后,陳家輝與哥哥陳家興(王硯輝 飾)、姐姐陳家媛(劉敏濤 飾)在整理父親遺物時(shí),逐漸察覺父親身上似乎隱藏著許多不為人知的秘密。帶著困惑與心結(jié),陳家輝開始探尋父親生前的生活軌跡,試圖拼湊出父親真實(shí)的模樣。在這個(gè)過程中,一段埋藏了16年的家庭秘密逐漸被揭開,而這個(gè)秘密的核心,正是家輝與父親之間一生都未能解開的那個(gè)結(jié)。