官能教室：愛的技巧 官能教室 愛のテクニック (1972)
高中生魚住勇夫（中村良二 飾）即將迎來高考，但他此時(shí)的心緒已不在學(xué)業(yè)上，美麗的女老師菊地育子（田中真理 飾）令他魂?duì)繅衾@，無法自拔。畢業(yè)于體育大學(xué)的育子美麗干練，她是學(xué)校排球部的老師，其逼人的美艷氣息吸引著男學(xué)生們的注意。令這群男孩懊惱的是，育子老師正在和化學(xué)老師森本徹郎（益富信孝 飾）談戀愛，并已到了談婚論嫁的地步。森本形容丑陋猥瑣，不過卻天賦異秉，使得男孩們在他面前相形見絀。他們使出各種手段試圖拆散這對情侶，但所有的計(jì)謀最終全部落敗，育子對森本情深意篤，不離不棄。 魚住深愛育子無法自拔，迷亂之際，他決定設(shè)計(jì)殺掉森本……
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上帝陰影下
馬克·奧布萊恩,杰奎琳·拜爾斯,Shaun Johnston,喬什·克魯達(dá)斯,阿德里安·霍夫,戴維·哈索姆,Cara Azevedo一位精英驅(qū)魔師在對他的父親進(jìn)行未經(jīng)授權(quán)的驅(qū)魔時(shí)，懷疑與他戰(zhàn)斗的實(shí)體是一個神圣的存在——甚至可能是上帝。
致命塔羅
阿凡提卡·萬達(dá)納普,雅各布·巴特朗,歐文·弗熱瑞,哈里特·斯萊特,亨伯利·岡薩雷斯,拉森·湯普森,阿丹·布拉德利,沃爾夫?qū)ぶZ沃格拉茨,斯塔薩·尼科利奇,詹姆斯·斯旺頓,艾倫·韋爾斯,桑西卡·米拉諾維奇,喬絲·卡特一群青年肆無忌憚地違反了塔羅牌的規(guī)則，釋放了牌中的可怕惡靈，他們一個接一個地面對命運(yùn)的審判，使得最終陷入了一場與死亡的賽跑。
春娥
李心敏,李迎旗,許劍,陳燕伊在通往村東頭的一條田間小路上，剛從縣城回來的侯家二小子侯保見把自行車騎得飛快?？斓酱蹇跁r(shí)，保見順便看了一眼在瓜地看瓜的木倉大叔后，急不可待地來到春娥家，擁吻著春娥就往里屋走。自從正月十五看花燈時(shí)和春娥好上后，在縣城幫老大看飯館的保見就像丟了魂似地隔三差五就往家里跑。春娥是個命苦的女人。結(jié)婚不到二年，丈夫就死了，兒子馬駒都快五歲還不會說話。丈夫死后，漂亮賢惠的春娥里里外外一把手，既操持著家務(wù)，還把老公公木倉爹侍侯得就如同自己的親爹一樣。木倉大叔也是一個通情達(dá)里的人。兒子死后，木倉大叔就搬出門，帶著不會說話的小孫子馬駒，一心撲在村頭的瓜地里。其實(shí)，木倉大叔這樣做也有他另一層心思，那就是木倉大叔理解作為一個女人的苦。畢竟紙里包不住火。保見來的次數(shù)多了，從家里跑到瓜地的看家狗“利來”的異常引起了木倉大叔的警覺。終于，春娥和保見的事被木倉大叔發(fā)現(xiàn)。這種事要放在別人肯定不會輕饒，但木倉大叔理解兒媳婦春娥的苦。既然生米煮成了熟飯，春娥和保見的事在村主任的撮合和主持下，一個簡單的婚禮算是成全了一對有情人的姻緣。春娥嫁到老侯家后，因?yàn)楸Ｒ姾ε滤木壒剩偌由洗憾鹩质且粋€寡婦，所以在侯家過著忍氣吞聲的日子。但這一切并不防礙春娥和保見的恩愛。平常的日子里，春娥擔(dān)負(fù)起一個家庭主婦的重?fù)?dān)，在保見爹挑剔的眼光下，百般小心地盡著一個為人兒媳婦的責(zé)任。除此之外，春娥還得隔三差五地回木倉大爹家，給木倉爹漿洗衣服、收拾家務(wù)、做一頓熱飯。春娥的苦，春娥自己不說木倉爹也看在眼里。春娥畢竟不是自己的親閨女，有些話不好明說，保見又因?yàn)楹ε滤桓艺f出來。就這樣，春娥常常為了家庭的和睦忍氣以淚洗面。時(shí)間長了，心疼媳婦的保見最終與他爹鬧翻。保見爹因私放高利貸被警察詢問后，春娥把兒子馬駒從瓜地里接回了家?？傻却憾鹪俅位毓系亟o木倉爹送飯時(shí)，木倉爹在勞累過度中沉然睡去，就再也沒有醒來。春娥和保見就著瓜地里的一塊空地，披麻戴孝地下葬了木倉爹。堆起的新墳前，春娥讓兒子馬駒跪下給爺爺磕頭的那一刻，瓜地里一顆熟透的西瓜“噶”地一聲裂成兩半，西瓜裂開處，瓜瓤鮮紅、瓜子如墨。
數(shù)碼寶貝大電影五：冒險(xiǎn)者的戰(zhàn)斗
野澤雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野愛,三石琴乃,小野健一,佐伯志,松尾銀三,津久井教生,坂本千夏,小杉十郎太快樂的暑假開始了，啟人（津村真琴 配音）為了掃墓來到了風(fēng)光秀麗的沖繩，在海邊，他和阿海（佐伯鵬 配音）一起救下了一位名為美波（三石琴乃 配音）的少女，后者遭到了數(shù)碼獸的攻擊，這些數(shù)碼獸的目標(biāo)，似乎是美波所攜帶的一臺筆記本電腦，在電腦里究竟隱藏了怎樣的秘密？讓啟人感到意外的是，美波的遇險(xiǎn)催生了數(shù)碼寶貝石獅獸（津久井教生 配音）的誕生，它的使命為何？ 啟人發(fā)現(xiàn)，在風(fēng)靡全球的電子寵物V-Pet背后，隱藏著一個驚人的秘密，貪婪邪惡的曼法斯獸企圖通過虛擬的數(shù)碼獸摧毀人類世界，實(shí)現(xiàn)它建立數(shù)碼世界的野心。面對強(qiáng)大的對手，啟人和朋友們該何去何從？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
自拍復(fù)印機(jī)
Shenina Cinnamon,奇科·庫爾尼亞萬,Lutesha,杰羅姆·庫尼亞,迪婭·潘德拉,Giulio Parengkuan,Mian Tiara,魯思·馬里尼,盧克曼·薩爾迪,Rukman Rosadi,Landung Simatupang,雅彥·魯伊安,Elisabeth Pasaribu,Budi Ros,東尼·達(dá)瑪拉本片講述了主人公蘇爾因醉酒的一張自拍在網(wǎng)上瘋狂流傳后被取消享有獎學(xué)金的資格，她的任課教師也受其牽連，并怒斥蘇爾。但蘇爾對于醉酒的當(dāng)晚發(fā)生的事情毫無記憶。于是，她開始向朋友尋求幫助以究其原委。