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新萬圣節(jié)
馬爾科姆·麥克道威爾,布拉德·道里夫,威廉·弗西斯,雪莉·穆恩·贊比1963年，在位于美國的伊利諾斯州的霍登平原市。陰暗恐怖的夜色籠罩著這座死寂的小城市，一起奇異的慘案就在黑暗當(dāng)中發(fā)生了：梅爾斯家里只有六歲大小的邁克爾·梅爾斯（達格·法奇飾），殘忍的用棒球棒將母親的男朋友一棍一棍的錘成了肉泥，然后又將自己的姐姐以及姐姐的男朋友一同肢解得支離破碎、慘不忍睹…… 事實上，這個特別的小男孩兒在一生來似乎從面孔到內(nèi)心就充滿了深深的邪惡與仇恨。而令所有人萬萬沒有想到的是男孩剛剛長到他6歲這一年便瘋狂般地露出了他猙獰的惡魔臉孔。而每一年象征著“群魔亂舞”的萬圣節(jié)似乎也成了他活躍異常的時刻。 根據(jù)美國當(dāng)?shù)氐姆?，未成年人殺人并不會受到警方更嚴厲的制裁，最終裁定將這個心靈扭曲的少年送到了精神療養(yǎng)所進行看管。在那里，一個名叫薩米爾·魯米斯的醫(yī)生負責(zé)調(diào)教和看管惡魔男孩兒。從未見識過如此兇殘的兒童的魯米斯想盡一切辦法接近這個可怕少年的心靈，試圖去影響、改變他的一切。但醫(yī)生做的所有嘗試都最終以失敗而告終。邁克爾·梅爾斯是一個極其頑固的邪惡的載體，他沒有理智、毫無人性可言，有的只是日益強悍的身體和越來越強烈的暴虐和不斷增長的殺戮欲望——薩米爾·魯米斯最后也意識到了這點，但似乎所有這一切都已經(jīng)為時太晚了。 在被關(guān)押了漫長的十七年之后，已經(jīng)“長大成人”的邁克爾·梅爾斯憑借強壯的身體終于找到機會逃出了逼仄的牢籠。壓抑已久的仇復(fù)與殺戮的惡魔之心終于得到了釋放的機會，他迫不及待的回到霍登平原市，去尋找他唯一真正愛護過的妹妹勞瑞?！ ∵@一切的真相，只有薩米爾·魯米斯知道，老醫(yī)生深知他的目的所在；也只有薩米爾·魯米斯知道，任何不幸遭遇惡魔邁克爾·梅爾斯的人都將以最慘痛的方式付出自己的生命做代價。如今，留給他的時間已經(jīng)不多，他要竭盡全力去警告無知的人們，并保護這家人唯一的希望——勞瑞。與此同時，為了所有其他人的無辜性命，魯米斯還要拼盡全力找到并控制住瘋狂的邁克爾·梅爾斯。尤其是每當(dāng)月黑風(fēng)高的萬圣節(jié)之夜悄悄降臨時……
精武陳真：租界風(fēng)云
陳國坤,呂艷蓓,王宏哲,馬群雄,張姝陽,孫盈藝,張永華,阿諾1911年，陳真為師父霍元甲報仇后投身革命加入中國同盟會，受托調(diào)查軍閥與日本在天津租界的勾結(jié)。在執(zhí)行任務(wù)遭伏擊、同伴中毒的險境中，陳真與一度為敵的武人鄭邵遠從對決到聯(lián)手，最終陳真在租界內(nèi)與日諜頭目決一死戰(zhàn)，揭穿陰謀，公之于眾。
天機秘錄
影片講述了天機門被懸刃衛(wèi)以通敵叛國罪滅門后，氣劍宗葉梵星受父命潛入懸刃衛(wèi)查探真相，并與天機門唯一幸存者夏璃月相遇，二人共同揭露背后陰謀，誅殺叛徒并守護家國的故事
狄仁杰之彼岸奇花
陳浩民,尚娜,劉金,金寧,崔冬辰,陳宇星,劉威州狄武周天授元年，嶺南潞州城司馬孔成業(yè)迷戀修道煉丹，傳聞?wù)业搅碎L生不老丹的藥方，只缺一味名叫彼岸花的奇草。傳言這是來自地獄的死亡之花，常年生長在墳冢幽谷之中，能致人產(chǎn)生幻覺，中幻覺者如妖邪附體般，發(fā)狂發(fā)癲，死狀凄慘?！ 】壮蓸I(yè)發(fā)出懸賞，采到彼岸花者，賞百金。山民獵戶等紛紛進山尋找，連孔成業(yè)也帶人到處扒墳冢、探幽谷。忙活的孔成業(yè)突然慘死，死前發(fā)狂。連他的幾名參軍也死相極慘，都說孔成業(yè)采到了彼岸花，被妖邪附身殺死，鬧得滿城風(fēng)雨。潞州刺史陸英杰上報朝廷，恰逢狄仁杰巡查嶺南諸州，女皇武則天命其前往潞州，全權(quán)調(diào)查此案.。
醫(yī)神
張達明,蔡少芬,伍詠薇,黎耀祥,雷宇揚,徐錦江,梁榮忠,許紹雄,莫少聰,傅明憲,朱潔儀,陳國邦,陳怡芳,高林生田七（張達明 飾）是個精人，常喝醉打妻子當(dāng)歸（蔡少芬 飾），當(dāng)歸痛定思痛發(fā)誓要對夫報復(fù)，剛巧城中富商羅漢果欲尋名醫(yī)，當(dāng)歸于是謊稱丈夫會醫(yī)術(shù)，并且要用精棍子揍田七，他才會應(yīng)允他人治醫(yī)，羅漢果信以為真，不但將田七痛打一頓，并將其接入家中，于是一場啼笑皆非的鬧劇開始了……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.