貪色夫人

評(píng)分:9.8 播放:00萬(wàn) 更新:2026-05-15
主演: 未知/

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娜奧米·沃茨,奧利弗·普萊特,查理·希頓,雅各布·特倫布萊,克里斯塔爾·巴林特,亞歷克斯·布勞恩斯坦,大衛(wèi)·庫(kù)比特,艾倫·大衛(wèi),克萊門泰·波達(dá)茲,提姆·波斯特

  娜奧米-沃茨在影片中扮演一個(gè)名叫瑪麗的兒童心理學(xué)家,她遭遇了人生中最不幸的事件:丈夫被一場(chǎng)離奇車禍奪去了性命,兒子則因這次災(zāi)難變成了植物人。一次偶然的機(jī)會(huì),瑪麗邂逅了一個(gè)叫湯姆的患兒,她將這個(gè)詭異的男孩帶回家撫養(yǎng),卻因此招來(lái)了一連串不可思議的事件。

樂(lè)救武林

鄭詩(shī)君,陸永,衛(wèi)詩(shī)雅,夏尉喻,張兆輝,劉以達(dá),陳嘉佳,陳少邦,戴鎧霖,許俊豪,歐源,葉灝基,勞浩羽,陳康琪,關(guān)嘉敏

天生愛(ài)唱歌的方湛(劉以達(dá) 飾)去拜訪舊友的武館,怎料他們的傳承人倆兄弟竟然搞得一團(tuán)糟。眾人的頗具野心的小師妹辛芷諾(衛(wèi)詩(shī)雅 飾)趁機(jī)開(kāi)設(shè)了一間不走正道的健身房,企圖取而代之,奪走當(dāng)今武林的話事權(quán)。眾人不甘墮落,齊心合力,靠著音樂(lè)的力量,最終讓差點(diǎn)墮入邪道的小師妹成功回心轉(zhuǎn)意。

未死之軀

Dujdao Duangpradab,Amy Siriya

  厭倦了逼仄臟亂的小公寓,正值青春年少的美麗女孩冰通過(guò)網(wǎng)絡(luò)找到一所寬敞闊氣且租金極為便宜的大房子,事不宜遲,她連忙致電屋主預(yù)約時(shí)間,并叫上同公寓好友妮娜隨她一同看房。雖然妮娜對(duì)該房第一印象不佳,卻無(wú)法改變冰的決定。不久之后,滿心歡喜的冰搬入新居,誰(shuí)知從第一天開(kāi)始便有怪事在身邊發(fā)生。在此之后,種種詭異事件交替發(fā)生,甚至冰的意識(shí)也受到侵襲。擔(dān)心好友的安危,妮娜趕來(lái)冰的身邊?! ≈皇强植朗录⑽淳痛烁嬉欢温?,仿佛被詛咒了一般,美麗女孩落入充滿玄幻和恐怖氣息的死亡陷阱之中……

公寓2024

斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.