神田川淫亂戰(zhàn)爭

? 6.8 播放：37萬 2026-05-12

為了拯救被不倫母愛煎熬著的羸弱男青年，兩個頗富正義感的豐滿女青年一次又一次的實施解救計劃，終在一個風黑月高的夜晚成功將其強迫。身體力行地譜寫了一曲性的贊歌。。。。 流水潺潺的神田川，靜靜穿過城市的中心。河的兩邊皆是老舊狹窄的公寓，人生悲喜劇在此間交替上演，從未停歇。 上班女郎明子（麻生うさぎ 飾）和室友雅美（美野真琴 飾）住在河的這一邊。某晚，雅美窺視窗外，發(fā)現(xiàn)對面公寓正上演著令人難以置信的一幕。復讀生（岸野萌圓 飾）和其風姿綽約的母親（沢木美伊子 飾）竟違背人倫，放肆地糾纏在一起。雅美和明子決定將復讀生救出這個不倫的地獄本片由黑澤清執(zhí)導，周防正行、水谷俊之、塩田明彥等擔任副導演。 　　

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? 播放 神田川淫亂戰(zhàn)爭

劇情提要

為了拯救被不倫母愛煎熬著的羸弱男青年，兩個頗富正義感的豐滿女青年一次又一次的實施解救計劃，終在一個風黑月高的夜晚成功將其強迫。身體力行地譜寫了一曲性的贊歌。。。。 流水潺潺的神田川，靜靜穿過城市的中心。河的兩邊皆是老舊狹窄的公寓，人生悲喜劇在此間交替上演，從未停歇。 上班女郎明子（麻生うさぎ 飾）和室友雅美（美野真琴 飾）住在河的這一邊。某晚，雅美窺視窗外，發(fā)現(xiàn)對面公寓正上演著令人難以置信的一幕。復讀生（岸野萌圓 飾）和其風姿綽約的母親（沢木美伊子 飾）竟違背人倫，放肆地糾纏在一起。雅美和明子決定將復讀生救出這個不倫的地獄本片由黑澤清執(zhí)導，周防正行、水谷俊之、塩田明彥等擔任副導演。 　　

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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