影片推薦
青出于藍(lán)2025
索菲婭·莉莉絲,戴夫·巴蒂斯塔,鮑比·坎納瓦爾,凱特·德爾·卡斯蒂洛,杰克·尚皮永,托尼·達(dá)爾頓,布魯·德爾·巴里奧,印達(dá)·納瓦雷特,惠特尼·皮克,澤爾·亞當(dāng)斯超聲
文森特·卡塞瑟,切爾西·洛佩茲,布瑞達(dá)·伍爾,滕德·艾德比佩,蕾妮·庫利,鮑勃·斯蒂芬森,達(dá)娜·林恩·拜倫,Jim Boeven,Chris Dougherty,波特·琳·楊,Tony Evangelista,達(dá)維達(dá)·威廉姆斯,馬克·伯恩漢姆,Cheryl Dent,Gabe Fonseca雷霆營救
安志杰,Vanessa,羅偉,趙儒嫣,Alleyn,柯恬柔,Hamid,高明燊騎乘挑戰(zhàn)
田中秀幸,松井菜櫻子,小山茉美,富山敬,林原惠美,本多知惠子,筈見純,屋良有作,飛田展男,小林通孝,鹽屋浩三,田中和實(shí),小杉十郎太深水
艾倫·艾克哈特,本·金斯利,安格斯·桑普森,邁德琳·懷斯特,凱莉·蓋爾,拉米安·紐頓,莫莉·貝爾·賴特,馬克·哈德洛,羅伯·基帕-威廉姆斯,露西·巴雷特,普里亞·賈恩,理查德·克勞奇利,瑞恩·邦恩,拉科塔·約翰遜,杰奎琳·李·戈?duì)柎?凱特·菲茨帕特里克,加文·李,那爾那茜,李汶翰,趙思玫短暫的戀情
瓦萊麗亞·戈利諾,皮拉爾·福格莉亞蒂,阿德里亞諾·吉安尼尼,塞萊涅·卡拉馬扎,茱莉雅·蒙薩,Cristian Stelluti同類精選
我的寶貝2
梅拉達(dá)·素斯麗,蘇提拉克·素維杰拉,查盧彭·提坤朋提拉翁,Tatchaya Supatanyasatit,Fon Tanasoontorn,Krisana Panpeng恐怖買家
勞倫·拉維拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi環(huán)法
熱拉爾·德帕迪約禁止進(jìn)入
暴雨屋
Grant Masters,Patrick Flynn,Grahame Fox霹靂大喇叭
洪金寶,張學(xué)友,王祖賢,姜大衛(wèi),馮淬帆,秦沛,胡楓,林正英,元華,元奎,張堅(jiān)庭影視排行
寫寫畫畫
永野芽郁,大泉洋,見上愛,畑芽育,鈴木仁,神尾楓珠,森愁斗,青柳翔,長井短,津田健次郎,齊藤由貴,有田哲平,山野仁,大森南朋立志成為漫畫家的高中生林明子,經(jīng)同學(xué)介紹來到一個奇怪的美術(shù)教室。這個教室沒有招牌也沒有宣傳,甚至在電話本上都查不到,只是一處坐落在海邊的小木屋。木屋主人是個手拿竹刀、身穿運(yùn)動服的美術(shù)老師,名叫日高健三。他嚴(yán)厲無比,每次學(xué)生們畫畫懈怠的時候,他只有一句話:“去畫吧!”
細(xì)骨小屋
賽迪·斯歐維奧,喬莉·理查德森,尼爾·林波在一場暴風(fēng)雨中,兩個罪犯找到了一個看似廢棄的農(nóng)場小屋避雨。他們挾持了里面的居民,但沒有想到,這個看似廢棄的小屋有著自己的秘密......
草迷宮恐怖殺人事件
Joem Bascon,吉莉安·維森喬,Kristof Garcia一處廢棄草叢,發(fā)生一系列詭異的殺人魔連環(huán)殺人事件,讓警探阿邦(瓊姆芭絲康飾演)展開調(diào)查。某夜,他們遇到喬伊絲(吉蓮維琴西奧飾演)與她的一群朋友,揚(yáng)言要在這片草叢中上哀悼慘遭殺害的親友,實(shí)際上她們也是為了調(diào)查這一連串真相,而來到了這片草叢。兩邊人馬開始在草叢中搜尋,竟意外發(fā)現(xiàn)殺人魔可能并非人類,更像是神秘的超自然力量;而另一位神秘人物史蒂芬(克里斯多夫加西亞飾演),則掌握著這個超自然殺手魔的關(guān)鍵真相…。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster