即刻觀影
劇情賞析
編輯推薦
大廚
讓·雷諾,邁克爾·揚(yáng),Rapha?lle Agogué,朱利安·波義塞利爾,莎樂梅·斯蒂文寧,Serge Larivière德高望重的亞歷山大（讓·雷諾 Jean Reno 飾）多年來一直是米其林餐廳的三星主廚，但是近來他的境遇卻屢現(xiàn)危機(jī)。當(dāng)下的法國料理界正是”分子料理”風(fēng)靡，傳統(tǒng)料理日漸衰落的時(shí)代，亞歷山大所堅(jiān)持的傳統(tǒng)料理很有可能會(huì)在即將到來的星級(jí)評(píng)審中落敗，餐廳的小開更是翹首以盼可以就此炒了他。正當(dāng)亞歷山大焦頭爛額之時(shí)，一名名不見經(jīng)傳的小廚師杰克（邁克爾·揚(yáng) Micha?l Youn 飾）出現(xiàn)了，杰克是亞歷山大食譜的忠實(shí)追隨者，卻因?qū)α侠淼目駸峁虉?zhí)屢次失業(yè)，只好在養(yǎng)老院找了份油漆工作。一個(gè)偶然的機(jī)會(huì)，亞歷山大讓杰克到他的餐廳實(shí)習(xí)，杰克與生俱來的料理天分和另辟蹊徑的烹調(diào)創(chuàng)意令亞歷山大大為賞識(shí)，很快成為其左右手。星級(jí)評(píng)審越來越近，兩位傳統(tǒng)烹飪大師的合作能否在挑剔的”分子料理”派面前力挽狂瀾呢？
劫車
Ron Perlman,Saffron Burrows一部更加刺激的驚悚片,今年隆重上映" 兩次金球獎(jiǎng)提名,《頭號(hào)疑犯》的瑪利亞·貝羅擔(dān)任主演羅琳:一位飽受壓力的單身母親,受到前夫虐待的困擾,辛苦撫養(yǎng)8歲的兒子.她和兒子的世界被銀行搶劫(斯蒂芬·多爾夫飾演伊莫托斯)在逃犯劫車以后瞬間被改變,他想重新得到自己的戰(zhàn)利品.但是羅琳拒絕成為他的受害者.她準(zhǔn)備控制然后反擊.今夜,她為了生存做的事情,即將引領(lǐng)最讓人震驚的犯罪.喬安娜·卡西迪(《六尺風(fēng)云》)與凱瑟琳·丹特(《盾牌》)聯(lián)袂出演這部緊張的動(dòng)作驚悚片
調(diào)味的房子
西恩·帕特維,安娜·沃爾頓,羅?！ご?凱文 霍華斯,杰瑪·鮑威爾,丹尼爾·維維安,阿德里安·布薛特,Christopher Rithin,肖恩·克羅寧20世紀(jì)末，波黑戰(zhàn)火籠罩的巴爾干地區(qū)。聾啞少女安吉爾（羅茜·戴伊 Rosie Day 飾）目睹了親人鄰居被武裝分子殘忍殺害的一幕，在此之后她也失去自由，與數(shù)名同齡女孩被擄至暴徒維克托（凱文·霍華斯 Kevin Howarth 飾）所盤踞的地獄之所。女孩們被迫淪為性奴，飽受摧殘與折磨，生命卑微有如在暴風(fēng)雨中搖曳的燭火。身處無聲世界的安吉爾似乎得到上天微薄的憐惜，她每天的工作便是穿梭于各個(gè)房間，為女孩們擦拭血跡，注射藥物，緩解疼痛，小小年紀(jì)卻見識(shí)了人世間最殘酷的景象。慘無人道且防守嚴(yán)密的人間煉獄，安吉爾決定帶著姐妹們逃出生天。當(dāng)殺母仇人格倫突然來到此地，一切走向失控的邊緣…… 本片榮獲2013年葡萄牙國際奇幻電影節(jié)影評(píng)人選擇獎(jiǎng)。
虛擬實(shí)驚
杰西卡·德·古維,托馬斯·康奎爾,TJ·鮑爾,利亞姆·格雷厄姆,普麗西拉-安妮·福德,侯宣德,莎羅姆·布龍-富蘭克仁·阿瑪瑞發(fā)明了革命性的藥品型軟件，可直接在人類大腦中創(chuàng)造虛擬現(xiàn)實(shí)，僅幾秒鐘就能體驗(yàn)幾小時(shí)或幾天的激動(dòng)人心的冒險(xiǎn)。仁要拯救弟弟于記憶迷局，而合作伙伴一心只想賺取利益，但是一切都是記憶連環(huán)套……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
外星博士
阿克曼博士是當(dāng)?shù)匾凰髮W(xué)的生物老師，他在被不明飛行物追趕時(shí)遇到了意外的死亡。韋斯利，他的一個(gè)學(xué)生，在吸引女性方面有困難。這一切都發(fā)生了變化，當(dāng)Xenobia女士接管了阿克曼的課程，并說服衛(wèi)斯理參加一些維生素研究，她和她的助理Drax正在進(jìn)行。突然，韋斯利變得很有魅力，盡管在興奮的時(shí)候，他的腦袋里長出了肉質(zhì)的天線。他新發(fā)現(xiàn)的成功可能會(huì)疏遠(yuǎn)他真正關(guān)心的那個(gè)女孩(Leeanne)，而Xenobia的動(dòng)機(jī)可能與她不是這個(gè)地球的事實(shí)有關(guān)。