滿床春水

5.1 播放:59萬 2026-05-15
主演: 木雄/

艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan滿床春水

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77號頂層公寓

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  Luna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.

浴血困牛山

牛犇,寇振海,王俊東,盧海華,肖聰,陸怡璇,劉芳毓,趙中華,李丞峰,陳楷,任志宏,侯佳偉,袁宇龍,楊涌,泰煜恩,黃振宸,牛青峰,張未柯,佟小虎,馬湘宜

 首次揭秘長征紀(jì)實事件,1934年中央蘇區(qū)第五次反圍剿失敗,紅六軍團奉命西征,進(jìn)入貴州石阡,一場戰(zhàn)役后,800多名紅軍消失在石阡困牛山,解放后中央多次尋找未果。70年后少數(shù)民族一個奇怪風(fēng)俗揭開了謎底,紅18師52團為了掩護軍團主力突圍,為了不暴露主力行動方向,他們將敵人引至困牛山,面對數(shù)倍的敵人浴血奮戰(zhàn),戰(zhàn)斗至最后,狠毒的敵人拿老百姓當(dāng)人肉盾牌,危機時刻, 100 多名紅軍戰(zhàn)士為了不誤傷百姓,寧死不當(dāng)俘虜,全部跳崖壯烈犧牲。被稱為是中國軍史和世界軍史上的奇跡和壯舉!

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  講述一個看門人被困在一個女廁所,遇到一批僵尸的攻擊……

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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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