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瘋狂性愛:別人的女人-????暫無內(nèi)容????暫無內(nèi)容????-獨家高清首發(fā)稀缺資源
同類好片
執(zhí)法記錄
杰米·M·卡利卡,肖恩·羅格森,凱瑟琳·拉夫·哈格奎斯特,Angel Prater,基岡·康納·特雷西,Chris Casson,Elizabeth Longshaw,Colette Nwachi,Joe Perry,Kevin Doree蒙上你的眼:逃出巴塞羅那
喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達(dá),Brian Lehane,Gerard Oms另一個人
連姆·尼森,安東尼奧·班德拉斯,勞拉·琳妮,蘿瑪拉·嘉瑞,Abigail Canton鋼鐵飛龍之再見奧特曼
侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁東北奇妙故事
李明,馮筱童,張雪菡地下室居民
瑪利亞·埃沃利,Vanesa Restrepo,卡拉·雅道爾導(dǎo)演精選
贖夢
你心底,是否也鎖著一段秘密? 落魄夜班司機蔡辛強(張家輝 飾)意外結(jié)識了心理醫(yī)生文思豪(劉俊謙 飾),然而在看似診療的表面底下,卻似乎暗藏著二人相互窺心探秘的審視,目光交鋒間,心魔呼之欲出……一場離奇車禍,一樁滅門慘案,詭異幻影不斷重現(xiàn),驚悚氛圍下,直指靈魂叩問:你敢直面內(nèi)心的恐懼嗎?
大蛇5:怪獸都市
太平洋雨夜,海灘尸骸遍野,貨船遭巨獸撕碎,災(zāi)難預(yù)兆降臨。邊郊監(jiān)獄內(nèi),死刑犯烏川臨刑前夜遇史前大蛇襲擊,混亂中越獄,卻在唐人街被女警秦雅擒獲。 恰逢驲琿化工爆發(fā)蛇災(zāi),烏川母親被困車間,他拒捕欲救人,此時各類史前怪獸肆虐,城市淪為煉獄。二人與幸存者躲進超市,合力斬殺潛藏怪物。眾人查明,驲琿化工違規(guī)排海才引生物報復(fù)。 吳川挺身營救母親與幸存者,擊敗大蛇阻止二次污染
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.