最后的女人
英文名:La derni egrave;re femme (1976) 本片是費(fèi)拉里對(duì)現(xiàn)代社會(huì)文明和小家庭中男子的作用的最新探討的成果。工程師熱拉爾德被妻子拋棄了,并把小兒子皮耶羅特留給了他。當(dāng)工廠宣布休假時(shí),他把保姆當(dāng)作情人;在短短的時(shí)間內(nèi),他重新經(jīng)受了令人傷腦筋的以兩性斗爭(zhēng)為特點(diǎn)的兩人關(guān)系發(fā)展的全過程。熱拉爾德完全被以ML為表現(xiàn)的男性意識(shí)所支配。當(dāng)他同情人的關(guān)系發(fā)生危機(jī)時(shí),他的情人卻和他的前妻成了好朋友。他出于抗議和絕望用一把廚房用的電鋸把自己的生殖器割掉了。這個(gè)可以作為模式的事件的大部分 (就象在戲劇舞臺(tái)上一樣)發(fā)生在一套高層小公寓里。費(fèi)拉里批判了他的主人公的大男子主義,同時(shí)也表現(xiàn)了由于生活(工作,住宅,千篇一律的生活秩序,孤獨(dú)寂寞)造成的絕望和灰心喪氣。如果說影片留下了一種相互矛盾的印象,那是由于影片以獨(dú)特的方式提出了問題:這個(gè)男人是他的行為的犧牲品,也是婦女全面反抗的犧牲品;費(fèi)拉里在這部影片中同樣使用了多種手法,而且通過一些;煽動(dòng)性"的細(xì)節(jié)和效果來吸引更多的觀眾。
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