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名偵探柯南：獨(dú)眼的殘像
高山南,山崎和佳奈,小山力也,速水獎(jiǎng),高田裕司,小清水亞美,草尾毅,飛田展男,高木涉,湯屋敦子,茶風(fēng)林,岸野幸正,綠川光,山田孝之,山下美月“我想起來了……”沉睡的記憶與真相即將覺醒?！ 」适乱蚤L野縣為舞臺(tái)，高人氣角色“長野三人組”大和敢助、諸伏高明、上原由衣將登場亮相。當(dāng)毛利小五郎警視廳時(shí)期同事“鱷魚”遭遇意外，與致使大和敢助“獨(dú)眼”的神秘雪崩案交織，無法兌現(xiàn)的承諾和獨(dú)眼中的殘像就此重疊。雪花飛舞，真相與愛意終將明晰！這一次，毛利小五郎將不再沉睡，與柯南、大和敢助等人攜手探案，親手揭開掩埋于雪山之下的秘密與真相……
庇護(hù)之地
杰森·斯坦森,博德?！だ佟げ祭锛{希,比爾·奈伊,娜奧米·阿基,丹尼爾·梅斯,哈麗特·瓦爾特,戈登·亞歷山大,布隆森·韋伯,湯姆·吳,比利·克萊門茨,托米·梅,安娜·克里里,巴利·吉爾,瑞恩·弗萊徹,亞當(dāng)·柯林斯,索菲安·弗朗西斯,布萊恩·維吉爾,史蒂文·布拉德斯,路易絲·拉,Rodaidh Findlay隱居孤島的特工界黃金王牌邁克爾·梅森（杰森·斯坦森 飾）本想就此隔絕過往，一場風(fēng)暴卻讓他救下少女杰茜（博德?！だ佟げ祭锛{希 飾），命運(yùn)的齒輪徹底反轉(zhuǎn)……他們的行蹤不慎暴露在嚴(yán)密的監(jiān)控網(wǎng)絡(luò)之下，神秘勢力的追殺接踵而至，無路可退的梅森被迫重操舊業(yè)，攜手少女開啟生死突圍之路。 面對(duì)頂尖特工小隊(duì)和冷血?dú)⑹值妮喎瑖耍飞宦坊鹆θ_：近身肉搏、飛車追逃、槍林彈雨，硬核爽戰(zhàn)全程高能！隨著追殺不斷升級(jí)，層層陰謀被逐一揭開，互相防備的兩人成為彼此唯一的依靠。當(dāng)滔天陰謀席卷而來，他們能否沖破死局？這份絕境中的守護(hù)，又會(huì)成為鎧甲還是軟肋？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
村在天堂邊
Axmen Cali Faarax,Canab Axmed Ibraahin,Ahmed Mohamoud Salleban,Axmed Cabdillahi Ducaale,Maxamed Xaaji Cabdi Fadax,Maxamed Axmed Maxamed,Maxamed Maxamuud Jamac,Maxamed Xusen Xasan,Aamino Saalad Gureey,Abdirisaq Daahir Khalif,Adbirisaq Ciise Cawad,Faadumo D在索馬里沙漠的一個(gè)偏遠(yuǎn)村莊，一個(gè)小男孩和爸爸、姑姑一同生活。父親靠臨時(shí)工作支撐家用，姑姑因?yàn)榛橐鑫C(jī)無奈躲到此處。他們樸素的心愿因?yàn)榛靵y不安的社會(huì)環(huán)境變得遙不可及，但家人之間仍充滿溫情瞬間。索馬里裔奧地利導(dǎo)演莫·哈拉韋的長片首作通過一個(gè)臨時(shí)家庭的境遇來展現(xiàn)動(dòng)蕩時(shí)局對(duì)個(gè)人生活的吞噬。導(dǎo)演溫柔看待三位主人公，他以精致的構(gòu)圖和色彩，在有條不紊的節(jié)奏下，安靜有力地鋪陳越發(fā)緊迫的生存之戰(zhàn)。本片是首部入圍2024年戛納電影節(jié)的索馬里題材影片，并一舉入圍一種關(guān)注單元和導(dǎo)演首作金攝影機(jī)獎(jiǎng)兩大單元。
郊區(qū)男孩 3
Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana...
定時(shí)拍攝
丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson某座住宅區(qū)，負(fù)責(zé)公寓內(nèi)各項(xiàng)維修事務(wù)的菲恩（Matt O'Leary 飾）和約瑟（George Finn 飾）是一對(duì)窮的叮當(dāng)響的好基友。某天菲恩的女友凱莉（Danielle Panabaker 飾）來到他們的住處，當(dāng)?shù)弥≡诟舯诘呢愊壬呀?jīng)很長時(shí)間沒走出房門時(shí)，凱莉自告奮勇上門查看，結(jié)果卻一臉錯(cuò)愕地回到二人面前。原來貝先生早已不見蹤影，房間內(nèi)一面墻貼滿了以三個(gè)人為對(duì)象的拍立得照片，窗口則有一臺(tái)奇怪的機(jī)器正對(duì)著菲恩和約瑟的房間。不久后他們發(fā)現(xiàn)，那臺(tái)機(jī)器竟是可以拍攝到未來情景的照相機(jī)。他們發(fā)現(xiàn)了貝先生的尸體，然而因?yàn)檎障鄼C(jī)的原因秘藏了此事?！ o意間擁有了窺視未來的手段，年輕人們的心不知不覺躁動(dòng)起來……