一樹梨花壓海棠
大學(xué)教授韓拔（杰里米艾恩斯 飾）年幼時(shí)經(jīng)歷了失去初戀女友之痛后，自此他對(duì)未成年少女有特殊的感情。 一次他到了美國(guó)去，成為了寡婦夏洛特（梅勒尼格利菲恩 飾）的房客，當(dāng)他看到夏洛特年僅14歲的女兒洛麗塔（多米尼克 bull;斯溫 飾）時(shí)，他瘋狂愛上了這個(gè)美麗的少女。事實(shí)上，夏洛特希望可以跟韓拔結(jié)婚，讓自己與女兒都能有個(gè)依靠。同時(shí)為了能讓自己能夠留在洛麗塔身邊，韓拔還是跟夏洛特結(jié)婚了。不久，夏洛特知道了丈夫?qū)ψ约号畠旱拿詰?，憤怒出走時(shí)遇車禍身亡了。 韓拔把在身在夏令營(yíng)的洛麗塔接到身邊，瞞著母親去世的消息與她游歷美國(guó)，而他們也展開了一段不倫戀。面對(duì)小妖女洛麗塔，韓拔百般順從，但洛麗塔還是厭倦了他，密謀逃走
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劇情簡(jiǎn)介
大學(xué)教授韓拔（杰里米艾恩斯 飾）年幼時(shí)經(jīng)歷了失去初戀女友之痛后，自此他對(duì)未成年少女有特殊的感情。 一次他到了美國(guó)去，成為了寡婦夏洛特（梅勒尼格利菲恩 飾）的房客，當(dāng)他看到夏洛特年僅14歲的女兒洛麗塔（多米尼克 bull;斯溫 飾）時(shí)，他瘋狂愛上了這個(gè)美麗的少女。事實(shí)上，夏洛特希望可以跟韓拔結(jié)婚，讓自己與女兒都能有個(gè)依靠。同時(shí)為了能讓自己能夠留在洛麗塔身邊，韓拔還是跟夏洛特結(jié)婚了。不久，夏洛特知道了丈夫?qū)ψ约号畠旱拿詰伲瑧嵟鲎邥r(shí)遇車禍身亡了。 韓拔把在身在夏令營(yíng)的洛麗塔接到身邊，瞞著母親去世的消息與她游歷美國(guó)，而他們也展開了一段不倫戀。面對(duì)小妖女洛麗塔，韓拔百般順從，但洛麗塔還是厭倦了他，密謀逃走
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NO.1
崔宇植,張慧珍,孔升延奧本海默
基里安·墨菲,艾米莉·布朗特,馬特·達(dá)蒙,小羅伯特·唐尼,弗洛倫絲·皮尤,阿爾登·埃倫瑞奇,大衛(wèi)·克朗姆霍茨,喬什·哈奈特,杰森·克拉克,卡西·阿弗萊克,戴恩·德哈恩,本·薩弗迪,大衛(wèi)·達(dá)斯馬齊連,拉米·馬雷克,湯姆·康蒂,肯尼思·布拉納,加里·奧德曼,詹姆斯·達(dá)西,梅肯·布萊爾,杰克·奎德,迪倫·阿諾德,艾瑪·杜蒙特,杰佛遜·豪爾,喬什·祖克曼,馬修·莫迪恩,馬提亞斯·施維赫夫,亞歷克斯·沃爾夫,托尼·戈德溫,庫(kù)爾特·克勒,約翰·高恩,蒂姆·迪凱,泰德·金,古斯塔·斯卡斯加德,邁克爾·安格拉諾,丹尼·德暗夜呢喃
Stephen Blackehart,Mark Colson,Lance J. Holt猛虎末路
勞倫斯·魯波,大衛(wèi)·舒特,塞巴斯蒂安·烏澤多夫斯基,安德烈·赫尼克,阿爾恩特·施韋林·索瑞,倫納德·昆茲,Tilman Strauss,Yoran Leicher末世廚房
凱恩·羅賓森,小霍普·伊克波庫(kù),亨利·勞福,魯本·奈雅馬,后路咭,克里斯塔爾,阿倫·阿薩德,拉薩克·庫(kù)科伊,埃華特·詹姆斯·沃爾特斯,萊斯利-安妮·米勒,戴米·拉迪波,杰戴亞·班納曼,菲奧娜·馬爾,伊恩·賴特,阿拉貝拉·麥克穆雷,布萊德利·WJ·米勒,泰賈·卡布斯,雷娜·查基爾,泰亞爾尼·費(fèi)倫-斯賓塞,奧利維婭-羅絲·科利亞德猩瘋血雨
約翰尼·斯奎婭,特洛伊·科特蘇爾,杰西卡·亞歷山大,維多利亞·懷恩特,凱文·麥克納利,加繪·亞歷山大,吉婭·亨特,查爾斯·曼恩,蒂安·西蒙,本杰明·程,斯圖爾特·惠蘭,阿爾伯特·馬加希,米格爾·托雷斯·翁巴,基蘭·迪恩,阿米娜·阿卜迪導(dǎo)演精選
后座
弱不禁風(fēng)的男子Colin（哈利·米爾林 Harry Melling 飾）遇上英俊無(wú)比的摩托車俱樂部首領(lǐng)Ray（亞歷山大·斯卡斯加德 Alexander Skarsg?rd 飾），Ray將Colin收為他的submissive，并帶他走近一群古怪的酷兒摩托車手，過(guò)程中各種收割童貞。但隨著Colin深入Ray的那個(gè)充滿規(guī)則和神秘的世界，他開始質(zhì)疑自己是否真正適合這種當(dāng)全天候submissive的生活。他是真的找到了自己的使命，還是僅僅用一種“窒息”的人生換了另一種？
銀河守門員
2071。銀河戰(zhàn)爭(zhēng)摧毀了月球，改變了地球的氣候。莫斯科是熱帶森林，紐約是一片冰。在莫斯科上空升起一艘巨大的外星飛船-這是一個(gè)體育場(chǎng)，在那里進(jìn)行了星際太空游戲的表演，聯(lián)合體育和角斗士的戰(zhàn)斗。整個(gè)銀河系都在看比賽。只有運(yùn)動(dòng)員才能玩太空。這就是人們所說(shuō)的那些具有非凡能力并能夠管理這些能力的人。宇宙崇拜的一切，除了安東，最普通的人，誰(shuí)只是夢(mèng)想找到一份工作來(lái)幫助家庭。但有一天，他發(fā)現(xiàn)自己的超能力，并接受加入國(guó)家隊(duì)?，F(xiàn)在他是一個(gè)宇宙飛船的球員。安東還不知道這場(chǎng)比賽的命運(yùn)決定了他的角色，最后的比賽將是一場(chǎng)為土地而戰(zhàn)。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.