窺情

　　幾十年前，一對(duì)年幼的兄妹在自家的小屋里慘遭殺害，唯一可能犯案的，是當(dāng)時(shí)在那里度假的寄宿學(xué)生，然而，因?yàn)樽C據(jù)不足，最終這群學(xué)生們未能被定罪，小屋案成為了未破的懸案，而當(dāng)年負(fù)責(zé)此案件的警探卡爾（尼古拉·雷·卡斯 Nikolaj Lie Kaas 飾）也因此一蹶不振，這宗疑點(diǎn)重重的案件成為了他的一塊心病?！　∫换窝蹘资赀^(guò)去，當(dāng)年的寄宿學(xué)生們已經(jīng)長(zhǎng)大成人，活躍在上流社會(huì)之中，雖然他們衣冠楚楚風(fēng)度翩翩，但實(shí)際上，他們扭曲的心靈早就令這些人成為了野獸，唯有在殺戮中才能獲得快感。當(dāng)卡爾重拾曾經(jīng)的懸案之時(shí)，危險(xiǎn)也在一步一步的接近著他和他的家人們。

　　馬蒂亞是一個(gè)畫(huà)家，與一位有抱負(fù)的歌手同居，他靠藝術(shù)市場(chǎng)的變化來(lái)謀生。

　　胖女孩欲桓是一個(gè)胖胖圓圓能吃能玩的女孩,不同于別的胖女孩,她敢于面對(duì)生活,即使不受男生喜歡,也能玩的很嗨。有一天奇跡發(fā)生在了她的身上,她穿越回了唐朝，在這里她遇到了對(duì)她萬(wàn)分疼愛(ài)的壽王李瑁。欲桓在現(xiàn)代從來(lái)沒(méi)有一個(gè)人跟他表白,在這里她第一次感受到了愛(ài)情的存在，于是成為了壽王妃,開(kāi)元二十五年武惠妃逝世,壽王壽王妃二人前去拜見(jiàn)唐玄宗,唐玄宗悲痛欲絕,看到欲桓后感覺(jué)自己夢(mèng)中女子出現(xiàn)在了自己眼前,眼神透出淡淡的愛(ài)意,心里想要的就是欲桓,可欲桓現(xiàn)在是自己兒子的妃子,該如何去爭(zhēng)去奪,旁邊的董貴妃把這一切看在眼里,一心想成為皇后的她會(huì)去怎么做,一場(chǎng)劇烈的奪桓之戰(zhàn)正式拉開(kāi)。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster