早產(chǎn)兒
在農(nóng)村小鎮(zhèn) Wickenhaven,精神病曬黑沙龍老板負(fù)責(zé)失蹤的許多年輕而天真的女孩,而他的妻子,充滿異國情調(diào)的錢包,是愿意忽視他的邪惡本質(zhì)。
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劇情提要
在農(nóng)村小鎮(zhèn) Wickenhaven,精神病曬黑沙龍老板負(fù)責(zé)失蹤的許多年輕而天真的女孩,而他的妻子,充滿異國情調(diào)的錢包,是愿意忽視他的邪惡本質(zhì)。
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
第18朵玫瑰
活力少女夢想著一場完美的成人禮,于是與孤獨(dú)的新來者達(dá)成一項(xiàng)協(xié)議,但意外的心動和真相也許會讓計(jì)劃徹底泡湯。