我是虐待狂魔

★ 4.9 播放:27萬 更新:2026-05-11
主演:I am a pervert 

壯觀的SM在雪山中玩耍,一次意外的危機中的自白!每個人都離開的;搖滾研究會 樂隊的鏈接;失敗通知的唯一成員和聲音是;男人 。在他們與長期SM合伙人Kaoruko離開的地區(qū)的演出舞臺上找到坐在禮堂里的妻子。危及生命的那一刻永遠危在旦夕!即使在他與情人一起逃亡的地方,他也必須玩SM,然后 這是一個變態(tài)!   

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劇情簡介

壯觀的SM在雪山中玩耍,一次意外的危機中的自白!每個人都離開的;搖滾研究會 樂隊的鏈接;失敗通知的唯一成員和聲音是;男人 。在他們與長期SM合伙人Kaoruko離開的地區(qū)的演出舞臺上找到坐在禮堂里的妻子。危及生命的那一刻永遠危在旦夕!即使在他與情人一起逃亡的地方,他也必須玩SM,然后 這是一個變態(tài)!   

導(dǎo)演精選

藏地情書

毛銘基(屈楚蕭 飾)和傅真(邱天 飾)在拉薩相遇,并和子琪(馬蘇 飾)、李?。◤垖幗?飾)、達娃(金巴 飾)結(jié)伴前往珠峰大本營。歷經(jīng)各種波折后,毛銘基和傅真二人之間產(chǎn)生了純粹且強烈的愛情,但兩人都未在即將結(jié)束的旅途前表達愛意,他們最終能否知曉彼此的心意?

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

四人新世界

  飛叔移民到加拿大與兒子哈哈一起生活。在飛機上認識了一位來自大陸的黃艷秋,并有意撮合艷秋和哈哈,飛叔與艷秋的姨媽是一對歡喜冤家,艷秋和一個富家花花公子一起,哈哈很沮喪,飛叔鼓勵兒子向艷秋表白。哈哈買下一塊地,想轉(zhuǎn)頭賺錢,但買家臨時改變主意,令哈哈欠下一筆錢,飛叔、姨媽、哈哈、艷秋開始了四人新世界……