劇情簡(jiǎn)介
長(zhǎng)期在公司工作的員工明宇，工作經(jīng)驗(yàn)不足。他對(duì)女員工充滿了甜蜜的想象，但現(xiàn)實(shí)總是被經(jīng)理打破……與此同時(shí)，有一天，一個(gè)謠言開始在公司裏流傳。公司總裁的兒子就是明玉！謠言迅速傳開，一天之內(nèi)所有女員工的態(tài)度都發(fā)生了變化，明宇開始經(jīng)曆他夢(mèng)寐以求的事情成爲(wèi)現(xiàn)實(shí)！
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德爾蘇·烏扎拉
馬克西姆·蒙祖克,尤里·索洛明,斯韋特蘭娜·丹尼爾琴科這是一部極為出色的關(guān)于人與自然的電影。1902年和1907年，沙俄軍官阿爾謝尼耶夫兩次率領(lǐng)勘探隊(duì)到烏蘇里地區(qū)探險(xiǎn)，都巧遇赫哲族老獵手德爾蘇·烏扎拉。德爾蘇.烏扎拉為勘探隊(duì)充當(dāng)向?qū)?，并挽救了阿爾謝尼耶夫的生命，與之建立了深厚的情誼。德蘇對(duì)大自然相當(dāng)了解與尊重，藉由他的示范 與見解，讓人們了解大自然的偉大與殘酷，人是可以與大自然和平相處，但當(dāng)大自然被破壞時(shí)，人們將是第一個(gè)遭殃。德蘇是一個(gè)神槍手，但后來(lái)在一次打獵時(shí)，德蘇發(fā)現(xiàn)自己的眼睛因?yàn)樯眢w衰老而退化，看不清獵物了，十分沮喪。他隨阿爾謝尼耶夫到大城市伯力居住。但是，城市文明德蘇卻無(wú)法習(xí)慣，城市和他過(guò)去賴以生存的地方，那片純樸的自然大地是完全不同的。獵人離開槍，離開了他所熟悉的環(huán)境，仿佛魚兒離開了水?！俺抢餂](méi)法狩獵，不狩獵就沒(méi)有貂”“我突然想念空氣?！彼笫潜磺艚艘话悖瑦瀽灢粯?lè)。德蘇執(zhí)意回到山里，回到那片密林。但是，獵人沒(méi)有好的視力，便是最大的悲劇。獵人不能獵殺，自己便被會(huì)獵殺。勇敢的德蘇雖然帶著阿爾謝尼耶夫送給他的新獵槍，但是他卻死了……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
完美伴侶2025
索菲·撒切爾,杰克·奎德,盧卡斯·蓋奇,梅根·蘇麗,哈維·吉蘭,魯伯特·弗蘭德,雅布其·楊-懷特,馬克·門查卡,伍迪·傅,Matt McCarthy,Ashley Lambert講述了一個(gè)迷人而又變態(tài)的人和一個(gè)被他玩弄于股掌之間的女人之間扣人心弦的故事。
一起過(guò)家家
宋木子,蔣詩(shī)萌,合文俊,夏甄,葉泉希,李飛,陳璽旭,楊九郎,衣云鶴,馬旭東,李曼,土豆妻子鮑一萌是頭部帶貨主播，丈夫宋李是全職丈夫，弟弟鮑鵬在復(fù)讀備戰(zhàn)高考。一天，三人意外發(fā)現(xiàn)互換身體。全家的靈魂與身體分別錯(cuò)位。全職丈夫宋李（小舅子身）重回學(xué)校，懷念青春中彈琵琶的夢(mèng)想，但繁重的學(xué)習(xí)生活，讓他感到力不從心。復(fù)讀生小舅子鮑鵬（妻子身）不懂管理公司，并在直播時(shí)狀況百出，女神小靜的奮斗讓他慚愧。主播鮑一萌（丈夫身）在輔導(dǎo)女兒的生活中發(fā)現(xiàn)，做家務(wù)和帶娃并不簡(jiǎn)單。相比之下，丈夫開明的教育方式仿佛讓女兒的成長(zhǎng)更美好。一家人決定支持宋李（小舅子身）重拾琵琶參與音樂(lè)比賽。深夜，宋李三人被關(guān)在冷藏車內(nèi)被凍得奄奄一息。他們終于換回來(lái)了！一家人的生活重新回到正軌，和諧美滿。
非傳統(tǒng)浪漫關(guān)系
朱顏曼滋,任彬,趙小棠,王天放,于謹(jǐn)維,王勁松,金廣發(fā),王勉,顏安,趙夕汐,孫丞瀟 ,張帆,錢迪迪,汪曲攸,鄧飛,于小彬,丁文博,牛犇,葛兆美情感博主祝君好（朱顏曼滋 飾）與在民政局工作的龔璽（任彬 飾），兩個(gè)本該最懂“愛”的人，卻在520這天領(lǐng)了離婚證。面對(duì)毀不掉的婚紗照和分不清的牽絆，兩人一拍即合，決定開啟一段“非傳統(tǒng)”的高效關(guān)系——互給對(duì)方介紹對(duì)象！然而相親局逐漸失控，龔璽重逢了自己曾經(jīng)的相親對(duì)象紀(jì)小舒（趙小棠 飾），祝君好則遇上了前任向涵（王天放 飾），還有“八離世家”的霸總和“懂王”附體的弟弟。這對(duì)“離婚搭子”在互坑與互助之間，開始重新審視自己的親密關(guān)系，也意外踏上了一段關(guān)于“愛”的二次探索。
印度超人3
赫里尼克·羅斯?jié)h,瑞哈,莉婭·森,Priyanka Chopra,維克·奧貝歐 Vivek Oberoi,Rajpal Yadav,Kangana Ranaut在擊敗了邪惡的博士，救回了父親洛赫特（赫里尼克·羅斯?jié)h Hrithik Roshan 飾）之后，克里希那（赫里尼克·羅斯?jié)h Hrithik Roshan 飾）和戀人普瑞雅（樸雅卡·喬普拉 Priyanka Chopra 飾）總算攜手步入了婚姻的殿堂，過(guò)上了平靜而又幸福的生活。而洛赫特利則用他的聰明才智制作了很多造福社會(huì)的發(fā)明?！ ∪欢蠹叶紱](méi)有想到的是，在一片平靜祥和的氣氛之下，邪惡亦在慢慢滋生。一個(gè)名叫卡爾（維克·奧貝歐 Vivek Oberoi 飾）的邪惡天才，正在利用他的智慧組建一直非常危險(xiǎn)的軍隊(duì)，企圖給人類帶來(lái)前所未有的危機(jī)。當(dāng)克里希那挺身而出和卡爾展開對(duì)抗時(shí)，他并不知道，此次，為了保護(hù)世界的和平，他將付出比以往多得多的代價(jià)。
壞血1986
米歇爾·皮科利,朱麗葉·比諾什,德尼·拉旺,漢斯·邁爾,朱莉·德爾佩,卡羅爾·布魯克斯,烏戈·普拉特,米雷耶·佩里耶,塞爾日·雷吉亞尼,弗朗索瓦·尼格雷特這部電影將寫實(shí)與科幻合而為一。一種傳染性性疾病STBO正在國(guó)內(nèi)蔓延，它通過(guò)沒(méi)有感情的性活動(dòng)傳播?！ ⌒⊥雕R克和漢斯欠一個(gè)美國(guó)女人一筆錢，她限他們兩個(gè)星期還。他們打算去偷一種專治類似艾滋病的藥劑，然后高價(jià)轉(zhuǎn)賣。于是他們雇來(lái)了亞力克斯，一個(gè)正在跟16歲女友麗莎分手的青年。但在計(jì)劃實(shí)施之前，他迷戀上了馬克的情婦安娜。麗莎卻并沒(méi)有死心，在他們動(dòng)手那天她來(lái)到了巴黎，使得事情更加復(fù)雜化…… 當(dāng)然，這是個(gè)悲劇。Love that burns fast but lasts forever. 這是導(dǎo)演Leos Carax繼《男孩遇見女孩》后的第二部作品，繼續(xù)他對(duì)青春和孤獨(dú)等題材的關(guān)注，也就是在此片的五年之后誕生了影史經(jīng)典之作——《新橋戀人》。