裸
在位于新瀉的田園鄉(xiāng)間，18歲的漂亮女孩shan瀨廣美（渡辺奈緒子 飾）結(jié)束了高中學(xué)業(yè)，她和侽友英介攜手前往崬 京闖蕩。平日里廣美做著一份穩(wěn)定的機(jī)場(chǎng)地勤工作，但是她的心中始終懷有一個(gè)演員的夢(mèng)想。間或機(jī)緣，她在街頭邂逅了娛樂公司的經(jīng)紀(jì)人夏本正人（光石研 飾），不曾想對(duì)方竟是一家iV公司的負(fù)責(zé)人。經(jīng)過(guò)一番考慮，廣美決定以拒拍iV為底線，正式進(jìn)入這家公司。隨著極度誘惑的平面寫真的流行，廣美慢慢積攢著人氣，同時(shí)也遭到來(lái)自英介和家鄉(xiāng)好友的壓力。而在一過(guò)程中，她離那條底線也越來(lái)越近 hellip; hellip; 本片依據(jù)iV女星美廣（Mihiro）的自傳改編，美廣本人亦在片中出演了角色。
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尋秦記電影版
古天樂 , 林峯 , 宣萱 , 郭羨妮 , 滕麗名 , 白百何 , 苗僑偉 , 張繼聰 , 朱鑒然 , 吳樾 , 洪天明 , 高戰(zhàn) , 鄧一君 , 廖啟智 , 歐瑞偉 , 陳國(guó)邦 , 黃文標(biāo) , 蔡一智 , 廖子妤 , 鄭雪兒 , 徐偉棟 , 洪天照真正的痛苦
杰西·艾森伯格,基南·卡爾金,福田知盛,詹妮弗·格雷,庫(kù)爾特·埃賈萬(wàn),麗莎·薩多威,丹尼爾·奧雷斯克斯,埃洛拉·托爾基亞,班納·艾森伯格,彼得·查赫尼?；?雅各布·貢索夫斯基,奧爾哈·博索瓦,克日什托夫·雅什查克,馬雷克·卡斯普日克,雅各布·普魯斯基KING OF PRISM -Your Endless Call- 大～家一起閃耀！PRISM☆TOURS
寺島惇太,齊藤壯馬,畠中祐,八代拓,五十嵐雅,永冢拓馬,內(nèi)田雄馬,蒼井翔太,武內(nèi)駿輔,杉田智和,柿原徹也,前野智昭,增田俊樹,三木真一郎,關(guān)俊彥,森久保祥太郎,浪川大輔,中山咲月,山下誠(chéng)一郎,小林龍之,土田玲央,河合健太郎,鵜澤正太郎,橘龍丸,浦田涉,天月,梶原岳人,田丸篤志,近藤隆,大橋賢一郎,岡本信彥尼可曼斯
莫妮卡·貝魯奇,本·奧圖爾,泰絲·哈烏布里奇,卡羅琳·福特,大衛(wèi)·文翰,戈蘭·D·克魯特,費(fèi)利克斯·威廉森,Berynn Schwerdt,Jay Gallagher,Connor Van Vuuren,Charmaine Bingwa,Epine Bob Savea超越鼓丘
邁克爾·科瓦爾斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop塔米·菲的眼睛
杰西卡·查斯坦,安德魯·加菲爾德,切莉·瓊斯,文森特·多諾費(fèi)奧,馬克·懷斯特拉克,山姆·賈格,路易斯·坎瑟米,加布里埃爾·奧爾德斯,弗瑞德里克·林恩,錢德勒·海德,杰伊·胡古雷,格蘭特·歐文斯,柯莉·坎帕尼,杰絲·威克斯勒,林賽·艾利夫,蘭德爾·P·海文斯,Joe Ando-Hirsh,德魯·布羅德里克,布倫特·莫雷爾·加斯金斯,Tanya Jacobson,小唐納德·諾里斯,Dan Johnson,Michael MacCauley同類推薦
臨時(shí)家族
張雙利,盛朗熙,李洛伊一個(gè)陷入瓶頸期的女演員，一個(gè)北京胡同孤僻老炮。一個(gè)姥姥帶大的熊孩子，一個(gè)失敗中年男人。這分別來(lái)自北漂，留守，離異，孤寡的四個(gè)人因?yàn)橐粓?chǎng)騙局被迫組成臨時(shí)的完整家庭。自此上演一段雞飛狗跳、笑淚交織的人間悲喜劇。他們?cè)诶硐肱c現(xiàn)實(shí)中困頓，在希望與孤寂里掙扎。在這臨時(shí)的親情里回望各自真正的血緣。而在歡聲笑語(yǔ)的身后，又有多少不為人知的傷心往事..
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
向光花盛開
黃志忠,趙潤(rùn)南,齊歡,江珊,任重,歐豪我叫夏津生，做水產(chǎn)生意，45歲那年我兒子跳樓自殺了，他死后第37天我進(jìn)了他所有的群，我發(fā)現(xiàn)里面全都是有抑郁傾向企圖輕生的孩子，我不知道為什么，我在“約死群”留言1萬(wàn)9千次，問過(guò)127個(gè)男孩，49個(gè)女孩，到現(xiàn)在也沒有答案……
東北戀哥3：冬天里的一把火
包貝爾,張夢(mèng)露,喬杉,潘斌龍,韓彥博,韓云云,張呈90年代的哈城，剛刑滿釋放的徐鐵（包貝爾 飾）偶遇裝啞的舞女百靈（張夢(mèng)露 飾），兩人也在幾次偶遇和深夜相伴中漸生情愫。直到除夕夜的溫暖，讓他們相互靠近，卻又因現(xiàn)實(shí)隔閡，家人誤解而屢屢拉扯。百靈為父還債的秘密賬本，讓徐鐵讀懂了她的苦衷，雷力的迫害更是將兩人推向絕境，徐鐵以命相搏救出被囚的百靈，終贏來(lái)家人祝福。這對(duì)孤獨(dú)靈魂，在世俗重壓下，以真愛焐熱了彼此的人生。
有罪，AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內(nèi)悠陽(yáng),小川冬晴,濱田信也,藤井直樹,荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風(fēng)吹淳,國(guó)村隼新人法官高遠(yuǎn)寺圓（芳根京子飾）每日忙于庭審中的證人詢問、審閱證據(jù)與鑒定報(bào)告、檢索判例以及撰寫判決書等工作。某日，圓被委以重任，負(fù)責(zé)測(cè)試性引入法院的AI系統(tǒng)“法神”。當(dāng)輸入過(guò)往審判數(shù)據(jù)后，“法神”瞬間生成的判決書與法官苦心撰寫的文書毫無(wú)二致，判決結(jié)果也完全一致。法官們?yōu)楣ぷ餍实娘w躍提升欣喜不已，唯獨(dú)圓對(duì)“法神”始終心存警惕。 圓與臨近退休的法官檜葉共同負(fù)責(zé)一宗18歲少年刺殺生父的案件。作為審判長(zhǎng)的檜葉在開庭前將數(shù)據(jù)輸入“法神”進(jìn)行判決模擬，AI瞬間給出的判決是“死刑”。 對(duì)AI能力深感興趣的檜葉。對(duì)AI愈發(fā)警惕的圓。當(dāng)陪審員們也卷入其中時(shí)，人們?cè)俣戎泵嫣綄ふ嫦嗟钠D難困境。究竟誰(shuí)能辨明真相？是AI？是人類？還是??? 這部社會(huì)派娛樂作品直面當(dāng)下以驚人速度滲透社會(huì)的AI技術(shù)，深刻叩問使用AI的人類應(yīng)有的姿態(tài)！