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★ 9.2 播放：91萬 更新：2026-05-11
主演： 朱偉光/

寡婦清身段撩人，但三任丈夫均離奇去世。記者何為查明其好友死因而故意與清親近。當何發(fā)現(xiàn)清在床上能作出靈驗預感時，何已漸迷色欲。最終何雖明白好友死因，但已不能自救…艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan

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寡婦清身段撩人，但三任丈夫均離奇去世。記者何為查明其好友死因而故意與清親近。當何發(fā)現(xiàn)清在床上能作出靈驗預感時，何已漸迷色欲。最終何雖明白好友死因，但已不能自救…艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan

導演精選

全力奔跑

曾是韓國最快短跑選手的姜九榮（河錫辰 飾），因傷病、離婚、負面?zhèn)髀勏萑肷牡凸?，面臨退役危機，只剩最后一次機會挽回摯愛、重拾榮光；同時，熱血高中生姜勝烈（李信永 飾）為追求心儀的女孩智恩，踏上短跑之路全力沖刺。兩代跑者的人生在賽道上交集，在速度與熱愛中完成自我救贖，致敬韓國田徑的塵封紀錄。

非禮勿視2

　　某座城市的驗尸房，艾米（丹妮爾·哈麗絲 Danielle Harris 飾）行色匆匆，準備參加親朋為她準備的生日派對。而就在此時，慘無人道的大屠殺在城中另一個角落發(fā)生，九人遇害，而屠戮他們的兇手雅克布·古德奈特（Glen Jacobs 格蘭·“凱恩”·雅克布 飾）也在救護車上咽下最后一口氣。眼看派對泡湯，艾米只得和同事賽斯（卡吉-埃里克·埃里克森 Kaj-Erik Eriksen 飾）打起精神準備接收送來的尸體。而就在此時，艾米的哥哥威爾（格里斯頓·霍爾特 Greyston Holt 飾）帶著凱拉（切蘭·西蒙斯 Chelan Simmons 飾）、塔瑪拉（凱瑟琳·伊莎貝爾 Katharine Isabelle 飾）等好友潛入驗尸房，精心為妹妹準備了盛大歡快的派對?！　∧懘笸秊榈哪信畟兛v情歌舞，卻不料雅各布已悄然醒來……

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.