劇情縱覽
一個(gè)年輕漂亮的女巫Elaine, 決定去找個(gè)愛她的男人。她在她的維多利亞風(fēng)格的公寓里制作魔法-水和魔咒,然后挑選一些男人誘惑他們。然而她的咒語太有效了,止于用繩子勒死一個(gè)不幸的受害者。當(dāng)她終于遇到心目中的男人時(shí),她對愛的渴望令她走向了精神失常的邊緣以及謀殺
一個(gè)年輕漂亮的女巫Elaine, 決定去找個(gè)愛她的男人。她在她的維多利亞風(fēng)格的公寓里制作魔法-水和魔咒,然后挑選一些男人誘惑他們。然而她的咒語太有效了,止于用繩子勒死一個(gè)不幸的受害者。當(dāng)她終于遇到心目中的男人時(shí),她對愛的渴望令她走向了精神失常的邊緣以及謀殺
一個(gè)年輕漂亮的女巫Elaine, 決定去找個(gè)愛她的男人。她在她的維多利亞風(fēng)格的公寓里制作魔法-水和魔咒,然后挑選一些男人誘惑他們。然而她的咒語太有效了,止于用繩子勒死一個(gè)不幸的受害者。當(dāng)她終于遇到心目中的男人時(shí),她對愛的渴望令她走向了精神失常的邊緣以及謀殺
“解決專家”衣然英俊遇到羅師傅上門求助,羅師傅因跌打油遭誣告,其妹雙雙、盈盈為幫兄私自參加高顏獎(jiǎng)金選美。衣然英俊攜老孫、羅師傅追至賽場,與羅妹及中國選手徐菲組隊(duì),闖叢林、破廟宇機(jī)關(guān),最終揭穿比賽的陰謀,助羅師傅渡過難關(guān)。
在《吸血鬼德古拉》小說原作者布萊姆·斯托克筆下的一章“船長日志”中,“得墨忒爾”是把德古拉從特蘭西瓦尼亞運(yùn)到倫敦的船的名字——這艘俄國帆船運(yùn)送著50個(gè)沒有標(biāo)記的大木箱出發(fā),而此后在英國海岸線上擱淺,破破爛爛,全船僅存一個(gè)瘋癲的幸存者。本片的故事將詳細(xì)聚焦得墨忒耳號的那趟可怕旅程:某神秘的乘客把船員們一個(gè)接一個(gè)屠殺。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
俠盜“一枝花”專劫富濟(jì)貧故為人欽佩,卻因正義感得罪了一名蛇蝎美人,該女子名叫“仇女”雖嫁與一土豪“孤寒財(cái)主”為妾但始終不忘被“一枝花”所辱,誓必要將“一枝花”置于死地?!耙恢ā崩僳E江湖,但“仇女”并未因而放過他,反而更誣造許多盜竊案令官方大舉追緝之。其時(shí)江湖上出現(xiàn)兩個(gè)小人物,一肥一瘦,肥名“脹爆”為人憨直,因仰慕“一枝花”而喜扮大俠,瘦名“扭紋柴”常自作聰明經(jīng)常撞板,喜占小便宜,為了官方之花紅到處找尋“一枝花”,而偶遇上“脹爆”后來反成莫逆之交,兩人更結(jié)伴一同尋找“一枝花”……