劇情簡(jiǎn)介
健太郎是一個(gè)孤獨(dú)的年輕人,有一天被公司解雇的他獨(dú)自去喝悶酒,卻不小心招惹上小混混。他在躲避的過(guò)程中誤入了一個(gè)廢墟,看見了一個(gè)穿著水手服的人偶少女,突然,少女睜開眼睛并且解救了他。之后,健太郎把少女帶回家并開始了奇妙的同居生活。人氣寫真模特佐佐木心音在片中飾演人偶少女,并將全裸出鏡艾旦影視
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廢柴同盟
曾志偉,吳鎮(zhèn)宇,邵美琪,黃卓玲,謝天華,盧海鵬,秦煌,林偉健電視臺(tái)的監(jiān)制阿南(曾志偉 飾)一直郁郁不得志,雖然才華橫溢,但是由于不善交際,做的都是一些冷門時(shí)段的節(jié)目。這日,他在一個(gè)公眾場(chǎng)合偶遇了過(guò)氣歌手阿Ken(吳鎮(zhèn)宇 飾),發(fā)現(xiàn)阿Ken想方設(shè)法都想上臺(tái)獻(xiàn)唱。看著阿Ken的古怪舉動(dòng),阿南突然有了一個(gè)想法,發(fā)現(xiàn)了一條可以幫助二人成功的道路。阿南向阿Ken提出成為他的獨(dú)家代理人,并幫他重新包裝,保證他一定能咸魚翻身。原來(lái),阿南的計(jì)劃就是讓Kenny裝瘋賣傻,全力吸引傳媒的視線,為了能再次踏上舞臺(tái),阿Ken答應(yīng)了。 果然如阿南所料,Kenny的瘋癲行為引來(lái)了大批傳媒,他也迅速走紅。此時(shí),電視臺(tái)為了能讓Kenny來(lái)上節(jié)目,只好滿足阿南的要求,將他調(diào)到熱門時(shí)段的節(jié)目讓他大展拳腳。正當(dāng)這對(duì)伙伴的事業(yè)一帆風(fēng)順時(shí),一個(gè)艱難的抉擇卻擺在了阿南面前。
上帝陰影下
馬克·奧布萊恩,杰奎琳·拜爾斯,Shaun Johnston,喬什·克魯達(dá)斯,阿德里安·霍夫,戴維·哈索姆,Cara Azevedo一位精英驅(qū)魔師在對(duì)他的父親進(jìn)行未經(jīng)授權(quán)的驅(qū)魔時(shí),懷疑與他戰(zhàn)斗的實(shí)體是一個(gè)神圣的存在——甚至可能是上帝。
死亡修女
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
特工媽咪
寶拉·柯特萊西,斯特凡諾·弗雷西,托馬斯·阿拉納,特科·切里奧,雷莫·吉羅內(nèi),維尼喬·馬爾基奧尼,露琪亞·馬西諾,瑞奇·孟菲斯,葆拉·米納喬尼,詹保羅·莫雷利,克勞迪亞·潘多爾菲,亞歷山德羅·羅亞,Emanuele Armani,卡拉·西格諾里斯,Chiara Luzzi,Paolo Antonini,Veronica Bitto,Laura Buono,Jacopo Carta,Maria Di Giacinto喬萬(wàn)娜低調(diào)平凡,每天周旋于政府部門的會(huì)計(jì)工作、女兒的學(xué)?;顒?dòng)。在無(wú)趣的外表下,其實(shí)是一名執(zhí)行各種國(guó)際危險(xiǎn)任務(wù)的特務(wù)。某天高中同學(xué)聚會(huì),發(fā)現(xiàn)所有同學(xué)都跟她一樣,每天都有鳥事跟煩惱。這讓她下定決心,接下來(lái)的任務(wù)要幫助身邊所愛(ài)的人。透過(guò)浮夸的偽裝、經(jīng)歷爆笑的情況,她要扭轉(zhuǎn)人生,為朋友帶來(lái)正義!
綁架
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大家的歌
白濱亞嵐,片寄涼太,小森隼,佐野玲於,關(guān)口Mandy,中務(wù)裕太,數(shù)原龍友,早見明里,槙田雄司,穂紫朋子,天野花奈,山川真里果在本作品中,人們聽了從某個(gè)卡式錄音帶中流淌出的“某個(gè)旋律”后,自己也漸漸哼唱起了那個(gè)旋律,被卷入了不可思議的事件中。