在公司愛愛
Nozomi,負(fù)責(zé)培訓(xùn)新員工的女性員工。成為初中生洋子的導(dǎo)師幫助她適應(yīng)公司。另一方面,通過不斷努力希望與戀人的關(guān)系我很緊張,開始惹惱洋子,對(duì)她一個(gè)人加班的陌生感觸??謶謪s出乎意料的快樂我的力量被釋放了,我的思想困惑了,當(dāng)我醒來時(shí),在自己面前兩個(gè)男人和洋子都在有意義地微笑。陷入陷阱。
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羅蘭·拉斐特,埃馬紐埃爾·貝克特,帕斯卡爾·格雷戈里,格雷戈里·蒙泰爾,安娜·盧瓦雷,Cyrille Hertel,盧安娜·巴杰拉米,Victor Bonnel,格林奇,托馬斯·西梅卡,蓋伊·托馬斯,Véronique Ruggia血戰(zhàn)沙漠
邁克爾·C·威廉姆斯,喬·胡爾特拉斯,杰夫·普雷韋特,瓦內(nèi)莎·約翰遜,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir古劍奇譚之焚寂天劫
白澍,梁婧嫻,姜震昊,黃羿,王景灝字母殺手
艾麗莎·杜什庫(kù),加利·艾爾維斯,湯姆·馬洛伊,蒂莫西·赫頓,邁克爾·艾恩塞德立體聲
于爾根·福格爾,莫里茲·布雷多,佩特拉·施密特-夏勒,格奧爾格·弗里德里希,賴納·博克那個(gè)人在想什么事情
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哪吒鬧海
梁正暉,邱岳峰,畢克,富潤(rùn)生,尚華,于鼎商末時(shí)期,陳塘關(guān)總兵李靖的夫人懷胎3年6個(gè)月,最終生下一個(gè)肉球,肉球中跳出一個(gè)伶俐可愛的男孩。李靖原當(dāng)他是妖孽欲殺之而后快,幸太乙真人前來收之為徒,賜名哪吒,并賜以乾坤圈和混天綾兩件寶貝。某年,天下大旱,甘露未降。哪吒和家將到東海洗澡玩耍。他用混天綾攪動(dòng)海水,撼動(dòng)龍宮,惹出巡海夜叉李艮和龍王三太子敖丙。幾番言語(yǔ)不和,哪吒殺此二人,由此闖下通天大禍。四海龍王齊聚陳塘關(guān)索命,為救一方百姓,哪吒決定交出生命……本片根據(jù)《封神演義》故事改編,并榮獲1980年電影百花獎(jiǎng)最佳美術(shù)片獎(jiǎng);文化部1979年優(yōu)秀影片獎(jiǎng)、青年優(yōu)秀創(chuàng)作獎(jiǎng);1983年菲律賓馬尼拉國(guó)際電影節(jié)特別獎(jiǎng);1988年法國(guó)布爾波拉斯文化俱樂部青年國(guó)際動(dòng)畫電影節(jié)評(píng)委獎(jiǎng)和寬銀幕長(zhǎng)動(dòng)畫片獎(jiǎng)。
羞恥惡魔
西蒙·飛利普斯Jack escapes jail and head to New York city to track down an old flame who has disappeared under mysterious circumstances.
伊甸之槍
Alexandra Faye Sadeghian,Bill Kennedy,Peter Johnson四名周末露營(yíng)者被武裝民兵追捕。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地平線2024
凱文·科斯特納,西耶娜·米勒,薩姆·沃辛頓,吉娜·馬隆,歐文·克勞肖,塔坦卡·米恩斯,艾拉·亨特,蒂姆·金尼,丹尼·赫斯頓,柯林·坎寧安,斯科特·黑茲,湯姆·佩恩,阿比·麗,邁克爾·魯克,威爾·帕頓,喬治亞·麥克菲爾,道格拉斯·史密斯,盧克·威爾遜,伊莎貝拉·弗爾曼,杰米·坎貝爾·鮑爾,亞歷杭德羅·埃達(dá),Wasé Winyan Chief,邁克爾·安格拉諾,安古斯·麥克菲登,喬恩·比弗斯,亞歷克斯·尼布理,艾蒂安·凱利奇,Amos Jason Charging Cloud,博迪·奧庫(kù)馬·林頓,格雷戈里·克講述美國(guó)西部在南北戰(zhàn)爭(zhēng)15年間的多方面擴(kuò)張及聚居,這段史詩(shī)般的旅程充滿了危險(xiǎn)和陰謀。