愛(ài)情與靈藥2010
杰米（杰克?吉倫哈爾 Jake Gyllenhaal 飾）出身醫(yī)藥世家，舌燦蓮花，熱情似火，是電器行的金牌銷售，不過(guò)由于桃花運(yùn)太壯，以至于因?yàn)楦略诠ぷ鲿r(shí)間親熱，被老板開(kāi)除。此后，他在輝瑞公司連番洗腦后，成為了一名醫(yī)藥銷售代表。為了能打開(kāi)區(qū)域市場(chǎng)，他摸清了某醫(yī)院的底細(xì)，決定從主治醫(yī)師斯坦下手。他用1千美元的支票，換取了一個(gè)實(shí)習(xí)生的身份，穿梭于診室。某日，他偶然間邂逅了因帕金森癥就診的女患者瑪姬（安妮?海瑟薇 Anne Hathaway 飾），并陰差陽(yáng)錯(cuò)瞥見(jiàn)了她的乳房。正當(dāng)花花公子以為占了便宜時(shí)，卻被瑪姬掄包打傷，甚至還拍了照片。為了討回聲譽(yù)，他利用關(guān)系要到了對(duì)方號(hào)碼，并約她面談。沒(méi)想到這次約會(huì)，卻讓兩人陷入了匪夷所思的親密關(guān)系之中，令他難以自拔。正當(dāng)杰米因偉哥成為銷售紅人時(shí)，瑪姬的病患卻每況愈下……
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不可饒恕2021
桑德拉·布洛克,喬·博恩瑟,文森特·多諾費(fèi)奧,維奧拉·戴維斯,理查德·托馬斯,艾斯琳·弗蘭喬茜,W·厄爾·布朗,杰西卡·麥麗奧德,湯姆·蓋里,琳達(dá)·伊蒙,羅布·摩根,艾倫·坡?tīng)?帕蒂·基姆,艾瑪·尼爾森,托比·哈格雷夫,威爾·普倫,威廉·貝勒,西蒙·錢,Tom MacNeill露絲·斯雷特（布洛克飾）因暴力犯罪被判入獄，出獄后的她重新踏入社會(huì)，但自己的過(guò)去卻不被原諒。面對(duì)來(lái)自她曾經(jīng)稱之為“家”的地方的無(wú)情評(píng)判，她獲得救贖的唯一希望，就是找到當(dāng)初被自己無(wú)奈丟下而疏遠(yuǎn)了的妹妹。
南方時(shí)光
陳玄力,吳慷仁,孫淑媚,黃迪揚(yáng),謝以樂(lè),蘇韋華,黃工蕓,朱俐安,鄭有杰小洲總是背著父親薛大隊(duì)長(zhǎng)在學(xué)校調(diào)皮搗蛋，這次跟死黨小馬與胖雄又闖禍了，訓(xùn)導(dǎo)主任牛頭于是一狀告到薛大隊(duì)長(zhǎng)那里。父親將小洲痛責(zé)，更在他書包里搜出小馬的香煙，為此又將小洲嚴(yán)懲。小洲含冤受屈后憤而出走，心中更暗盼父親可以從這個(gè)家消失；沒(méi)想到當(dāng)晚從對(duì)岸發(fā)射的兩顆導(dǎo)彈竟令小洲如愿，薛大隊(duì)長(zhǎng)必須離家往前線去。父親不在家，小洲與小馬、胖雄的行動(dòng)更肆無(wú)忌憚，卻因此而惹上學(xué)校的小霸王大毛。小洲為對(duì)抗大毛，求助于國(guó)宅幫的少年頭頭A 司；A 司答應(yīng)幫忙，卻要三人付保護(hù)費(fèi)。 三人夾在大毛與 A 司之間，飽受兩方威脅。這時(shí)臺(tái)灣面臨戰(zhàn)爭(zhēng)邊緣，股票大跌，總統(tǒng)直選在即，民間吹起移民潮。1996 年的南方時(shí)光，紛擾躁動(dòng)，回想起來(lái)令人惘然。
一個(gè)叫小小船的男孩
J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫(kù)里,Patricia Kalis,Jamille James,尼克·法內(nèi)爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯在飽受干旱困擾的小鎮(zhèn)中，一個(gè)拉美裔家庭給他們唯一的兒子取名為“帆船”。帆船給他的家人帶來(lái)了新的愛(ài)和希望。一天下午他帶回了一把小吉他。從這一刻起，帆船和他的吉他形影不離。病重的祖母希望他為她寫一首歌，帆船迎難而上，創(chuàng)作了有史以來(lái)最偉大的歌曲。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無(wú)懼神明
莉頓·梅斯特,托比·瓊斯,本·巴恩斯,哈威·凱特爾,肯尼·沃莫爾德 ,里特奇·科斯特,保羅·本-維克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba影片的故事發(fā)生在波士頓，巴恩斯扮演的尼克是一位意大利裔的美國(guó)年輕人，躊躇滿志的他加入波士頓黑手黨，決心開(kāi)創(chuàng)一番事業(yè)，卻發(fā)現(xiàn)這個(gè)犯罪組織早已不復(fù)昔日之勇?！ ∮谑悄峥吮持睦习澹ā堵渌贰?、《壞中尉》男星哈威·凱特爾飾），自立門戶，擴(kuò)張版圖，希望重塑往昔的輝煌。一手金錢，一手美人（莉頓·梅斯特飾），尼克完全不知道自己正走在危險(xiǎn)的懸崖邊。
鋼鐵飛龍之再見(jiàn)奧特曼
侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁保護(hù)地球、維護(hù)和平，奧特曼對(duì)于地球人來(lái)說(shuō)曾經(jīng)是神一樣的存在，但是近幾十年，他卻消失不見(jiàn)行蹤成謎……隨之取替他的是鋼鐵飛龍精銳小分隊(duì)——隸屬于GSB地球安全保衛(wèi)組織。而GSB近期不斷收到地球能源異常報(bào)告，全球各地紛紛出現(xiàn)巨大災(zāi)難。GSB組織派出鋼鐵飛龍，查明能源異常原因，卻意外發(fā)現(xiàn)事件與奧特曼有關(guān)系……新舊兩代地球守護(hù)者的意外相見(jiàn)，卻成為你死我活的敵對(duì)雙方。到底，這是一場(chǎng)意外還是一場(chǎng)陰謀，是誰(shuí)看到了最后的事實(shí)真相？