困惑女孩

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

影片改編自蒲松齡《聊齋志異》之《聶小倩》。小倩生前被人所負含恨而終，死后化為女鬼，被姥姥囚禁于蘭若寺。恰逢書生寧生進京趕考，借宿此地，意外救下小倩。逃亡途中，兩人不斷遭遇人間及地府勢力的阻撓，卻也在此般經(jīng)歷中感情升溫。寧生帶著小倩感受了人間美好，小倩決心還陽，卻在到達鬼市后發(fā)現(xiàn)事情遠沒有這么簡單……

一個家就是一個四季，每個家都有不能說的秘密。追尋身世的姊姊、艱辛求子的媽媽、天兵闖蕩的弟弟、試圖逆轉人生的爸爸，有歡聲笑鬧，也有哭泣仿徨，直到微光照進幽暗的心房。改編自短片《姊姊》，導演潘客印首部長片以不同家人視角，編織一部動人小品，勾勒平凡臺灣鄉(xiāng)間家庭橫越24年的鮮活畫像。藍葦華、高伊玲、曾敬驊、黃佩琪共組一家四口，串起四段時光的悲喜往事。

一部關于一群高中高年級學生被迫在學校度過一個周六完成一項考試，他們要么錯過了考試，要么考試不及格。一天下來，他們在自己和同學身上找到了自己的價值觀、背叛和愛。