新橋探偵物語
女優(yōu)の卵?ユミカは、バイト先のクラブで中年の客に業(yè)界プロデューサーを紹介する代わりにと言い寄られ、思わず突き飛ばしてしまう。接客中にも感じていたが、その帰宅途中も誰かの視線を感じた。振り返るが誰もいない。その感覚は、彼女がアパートに戻り、就寢するまで続いた艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan 果梨は映畫好きの両親の影響で幼い頃から映畫館に通い、俳優(yōu)を志すようになった。しかし、演技をすると、類まれなるイマジネーションですぐに勃起してしまうため、全く芽が出ない。今日も映畫のオーディションに參加したが、お葬式のシーンなのにバッキバキに勃起してしまい、監(jiān)督にどやされる。おまけに、家賃を數(shù)年間も滯納していた彼は、とうとう大家に追い出されてしまう?! ⌒肖黏韦胜胜盲抗妞稀W(xué)生時代の俳優(yōu)仲間?前張に相談すると、GOカンパニーという映像制作會社を指定され、事務(wù)所を訪れる。社長の権座は、面白がり強(qiáng)引に果梨に専屬契約を結(jié)ばせる?! ?shù)日後、権座のプロデュース作品の現(xiàn)場に呼ばれた果梨は、初めて臺本に自分の名前が載っていることに感動し、ピンク映畫の世界で生きていこうと覚悟を決める。そこに主演女優(yōu)のユミカが現(xiàn)れる。彼女もこの映畫が初主演だと言い、二人は恥ずかしがりながら濡れ場に臨む。果梨は緊張と興奮で勃起してしまい…。
即刻觀影
劇情賞析
編輯推薦
翠湖
李振平,王娟,李紅梅,劉蕾,李珂而,毛珍禧,祖尚炳皓 ,付斌,張會苓,張英偉影片講述了昆明翠湖畔的一段家庭往事。老人樹文在喪妻后想要重啟人生新的情感階段,卻與女兒們爆發(fā)沖突,在這場沖突中讓他看清自己在家庭里的“缺位”,也促使他重新承擔(dān)起家長的責(zé)任,在直面三代人,三個家庭之間深藏的遺憾與隱痛的過程中,展開了一段尋求和解的溫情旅程。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
巨人的告別
奧斯卡·馬丁內(nèi)茲,馬蒂亞斯·邁耶,路易斯·盧克,亞歷克西婭·莫亞諾,Inés Estévez,Johanna Francella,Silvia Kutika失散多年的父親重新露面,這名導(dǎo)游必須應(yīng)對舊日傷痛,并做出一個決定二人未來的抉擇。
勾魂谷
杰米·貝爾,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson故事發(fā)生在第一次世界大戰(zhàn)期間,英國聯(lián)軍和德軍之間的戰(zhàn)況日漸白熱化,每天都有無數(shù)的士兵們含恨死去,年僅十六歲的莎士比亞(杰米·貝爾 Jamie Bell 飾)亦參與了這場戰(zhàn)爭,戰(zhàn)場上傷痕累累的慘狀給他的心靈蒙上了厚厚的陰影。 某日,莎士比亞和一干戰(zhàn)友們正在進(jìn)行一項突襲任務(wù),就在大家凝神鼻息偷偷前進(jìn)之時,一股不知從何而來的神秘?zé)熿F將他們包圍。之后,一行人來到了德軍的戰(zhàn)壕內(nèi),然而這里了無生氣,有的只是一具具死相及其恐怖的尸體。這里究竟發(fā)生了什么?莎士比亞所在的連隊繼續(xù)前進(jìn),詭異的事情不斷發(fā)生,連隊中亦不斷的有人喪命,莎士比亞隱約覺得,在前方等待著他們的正是地獄的入口。
華氏247
絲柯·泰勒-考普頓,克里斯蒂娜·烏洛亞,特拉維斯·范·文克,邁克爾·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亞尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II晴朗的一天,三年前痛失男友的珍娜(絲柯·泰勒-考普頓 Scout Taylor-Compton 飾)與好友瑞妮(克里斯蒂娜·尤羅爾 Christina Ulloa 飾)、邁克(邁克爾·科彭 Michael Copon 飾)以及新結(jié)識的帥氣青年伊安(特拉維斯·范·文克 Travis Van Winkle 飾)前往某個鄉(xiāng)村,參加當(dāng)?shù)嘏e行的五月節(jié)。湖畔小屋,笑語歡歌,青年男女們縱情歡樂,只有珍娜強(qiáng)顏歡笑,似乎久久無法從三年前的慘劇中走出。隨著夜幕降臨,四人走入桑拿室,體會無上的蒸汽享受,而危機(jī)也正一步步向他們迫近。在此期間,邁克和瑞妮突然爆發(fā)爭吵,前者奪門而出,大發(fā)雷霆,而瑞妮和珍娜、伊安稍后卻發(fā)現(xiàn),他們?nèi)藚s被意外鎖在桑拿室中。 溫度逐漸升高,而死神的腳步越來越近……
被破壞的男人
金明民,嚴(yán)基俊朱英秀(金明敏 飾)是一名律師,和妻子敏晶(樸珠美 飾)過著幸福的生活,兩人共同養(yǎng)育著他們愛情的結(jié)晶慧琳(金素賢 飾),朱英秀相信正是因為有了主的庇護(hù),他才能夠過上如此美滿的人生。然而,一場意外的發(fā)生徹底擊碎了朱英秀的信念?! 〗壏私壖芰四暧椎幕哿?,兩人就此下落不明。起初,朱英秀和妻子都堅信慧琳一定能夠平安歸來,然而隨著時間的推移,這份堅定逐漸粉碎為了塵埃。朱秀英甚至因為此時而對自己堅持一生的信仰產(chǎn)生了懷疑。一晃眼八年過去,一通意外的來電在這個支離破碎的家庭之內(nèi)再度掀起波瀾,慧琳還活著,而朱英秀唯一的信仰,就是找到她。