情欲與謊言：德國人與性

吞天巨鯊

　　太平洋某座生物研究所內(nèi)，最新研究的魚類加速繁殖計(jì)劃得到了突破，并在繁殖力極低的鯊魚身上試驗(yàn)成功。實(shí)驗(yàn)室的科學(xué)家們大喜過望，稱這項(xiàng)研究將徹底解決全球食物問題。只有總負(fù)責(zé)人博士袁聰認(rèn)為此舉會破壞現(xiàn)有的生態(tài)環(huán)境，力排眾議下令銷毀實(shí)驗(yàn)鯊魚。然而實(shí)驗(yàn)組的副手莫雷將這些鯊魚看成畢生心血，偷走幾條幼鯊準(zhǔn)備轉(zhuǎn)移，誰知在路上被咬傷出了事故，幼鯊逃進(jìn)下水道進(jìn)入了大海。沒過多久，若干處海邊出現(xiàn)鯊魚群體襲擊事件，原來這些鯊魚的背后有一只超級巨大的母鯊......

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

在你的愛情里

月球奇幻旅

　　肖恩·利維將再次合作老搭檔二十世紀(jì)福斯，執(zhí)導(dǎo)新片[隕石坑](Crater，暫譯)，利維也將約翰·J·格里芬執(zhí)筆的原創(chuàng)劇本進(jìn)行改編。故事被描述為科幻版的[ 伴我同行 ]，講述在月球殖民地長大的男孩，和三個小伙伴共同前往一處神秘隕石坑探秘，不料卻發(fā)生意外。影片劇本曾經(jīng)入選2015年“好萊塢劇本黑名單”。

落葉球

　　攝影師麗莎突然失蹤。最后的線索指向她拍攝過的七個足球場——它們散落在格魯吉亞七個偏遠(yuǎn)村莊。父親伊拉克利踏遍這些球場尋女，麗莎的摯友、如幽靈般的列瓦尼悄然加入搜尋。每當(dāng)球場更迭，相遇的村民與他們的故事便如走馬燈般輪轉(zhuǎn)?？此苹恼Q的旅程里暗涌漸起：每踏過一片坑洼的草場，每穿過 一座寂靜村莊，找到麗莎的希望便如晨霧般日漸稀薄。