一樹(shù)梨花壓海棠
大學(xué)教授韓拔（杰里米艾恩斯 飾）年幼時(shí)經(jīng)歷了失去初戀女友之痛后，自此他對(duì)未成年少女有特殊的感情。 一次他到了美國(guó)去，成為了寡婦夏洛特（梅勒尼格利菲恩 飾）的房客，當(dāng)他看到夏洛特年僅14歲的女兒洛麗塔（多米尼克 bull;斯溫 飾）時(shí)，他瘋狂愛(ài)上了這個(gè)美麗的少女。事實(shí)上，夏洛特希望可以跟韓拔結(jié)婚，讓自己與女兒都能有個(gè)依靠。同時(shí)為了能讓自己能夠留在洛麗塔身邊，韓拔還是跟夏洛特結(jié)婚了。不久，夏洛特知道了丈夫?qū)ψ约号畠旱拿詰?，憤怒出走時(shí)遇車(chē)禍身亡了。 韓拔把在身在夏令營(yíng)的洛麗塔接到身邊，瞞著母親去世的消息與她游歷美國(guó)，而他們也展開(kāi)了一段不倫戀。面對(duì)小妖女洛麗塔，韓拔百般順從，但洛麗塔還是厭倦了他，密謀逃走
在線看
同款熱播
死人開(kāi)關(guān)
比爾·斯卡斯加德,戴克·蒙哥馬利,阿爾·帕西諾,加利·艾爾維斯,科爾曼·多明戈,米哈拉·赫羅德,約翰·羅賓森,喬丹·克萊爾·羅賓斯,肖恩·麥克布萊德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale故事發(fā)生在1977年2月8日，圍繞一名44歲的前房地產(chǎn)開(kāi)發(fā)商Tony Kiritsis展開(kāi)。他用槍劫持了貸款公司總裁Richard O. Hall，并在其身上綁了一個(gè)“死亡開(kāi)關(guān)”，以此脅迫這位總裁在幾近零度的天氣里當(dāng)著警察和記者的面穿過(guò)市中心的街道。
照亮黑暗
Aamani,Esha Chawla,占西,Vishwadev RachakondaFollows the relentless journey of a determined young woman as she unravels the disturbing truth behind a serial rapist.
熱情洋溢
瑞安·雷諾茲,威爾·法瑞爾,奧克塔維亞·斯賓瑟,蘇妮特·瑪尼,帕特里克·佩奇,艾米·卡里諾,喬·蒂皮特,詹·塔洛克,P·J·伯恩,阿納斯塔西婭·薩尼多普洛斯·穆西斯,尼克·巴加,比利·康查,Woody Fu,瑪麗·安·紹布,瑪塞拉·賈拉米洛,羅布·勒維克,Heidi Garza,Amanda Cleghorn,Marilyn Swick,Alison Weller,Marlow Barkley一個(gè)音樂(lè)劇版本的查爾斯·狄更斯的《圣誕頌歌》，一個(gè)吝嗇的厭世者被帶上了一個(gè)神奇的旅程。
突破二十五馬赫
凱特·卡普肖,莉·湯普森,凱利·普雷斯頓,拉里·B·斯科特,華金·菲尼克斯,泰特·多諾萬(wàn),湯姆·斯凱里特,巴里·普賴默斯描述一群青少年學(xué)生參加美國(guó)太空總署主辦的太空夏令營(yíng)，親身體驗(yàn)太空登月的操作環(huán)境。不料在一次意外中，他們乘坐的太空艙竟然真地發(fā)射升空，幾個(gè)年輕人登時(shí)六神無(wú)主，幸好有一個(gè)機(jī)器人留在艙中協(xié)助他們化險(xiǎn)為夷。在眾多的太空科幻片中，哈瑞．溫勒導(dǎo)演本片較著重太空知識(shí)的傳遞而非眩目迷人的特效。外景在NASA 實(shí)地拍攝，有些地方頗令人大開(kāi)眼界。凱特．卡普肖飾演女教官、利．湯普森、凱利．普雷斯頓飾演太空歷險(xiǎn)的學(xué)生，但最討人喜歡的還是那個(gè)造型和表演都相當(dāng)有趣的機(jī)器人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鏢人：風(fēng)起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂(lè)樂(lè),釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平大漠之上，鏢人、官府、西域五大家族等多方勢(shì)力盤(pán)根錯(cuò)節(jié)、暗潮涌動(dòng)?！疤熳值诙?hào)逃犯”刀馬接下特殊押鏢任務(wù)，和同伴一起從西域護(hù)鏢遠(yuǎn)赴長(zhǎng)安。不料，他們的護(hù)送對(duì)象竟是“天字第一號(hào)逃犯”知世郎……天下熙熙皆為利來(lái)，各方勢(shì)力聞風(fēng)入局，搶鏢廝殺接連上演……